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United Red Army (The Young Man Was, Part I)

September 1977. The Japanese man speaks in halting English; the Bangladeshi negotiator, with the clipped confidence of an army officer. A color scheme suggests order in the exchange: green, red, and the occasional white. The Japanese Red Army had attached to the Palestinian cause, and through that to an idea of global pan-Arabism. The hostage terrain was not an "Islamic Republic," as the hijackers thought, but a turbulent new country ricocheting between polarities and imploding in the process. Instead of being the willing platform for the Japanese Red Army's ideas of "Third World revolution," the actual Third World hit back in unexpected ways, turning the hijackers into helpless witnesses. An eight-year-old watches the television screen with growing confusion-the screen shows an unmoving control tower for hours on end, and he wants his favorite show to start again.

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September 1977. The Japanese man speaks in halting English; the Bangladeshi negotiator, with the clipped confidence of an army officer. A color scheme suggests order in the exchange: green, red, and the occasional white. The Japanese Red Army had attached to the Palestinian cause, and through that to an idea of global pan-Arabism. The hostage terrain was not an "Islamic Republic," as the hijackers thought, but a turbulent new country ricocheting between polarities and imploding in the process. Instead of being the willing platform for the Japanese Red Army's ideas of "Third World revolution," the actual Third World hit back in unexpected ways, turning the hijackers into helpless witnesses. An eight-year-old watches the television screen with growing confusion-the screen shows an unmoving control tower for hours on end, and he wants his favorite show to start again.

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Night Will Fall

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

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