Der Pantoffelheld Backdrop Blur
Der Pantoffelheld Poster
ไม่มีเรตติ้ง ไม่ระบุ

Der Pantoffelheld

Love and friendship, lies and betrayal - comedies often deal with existential themes. But not always. Sometimes everyday life is enough to pick up an audience and entertain them. The audience suddenly sees themselves as experts who can give an informed opinion on what is happening on stage: In the case of "Pantoffelheld" from 1983, it was probably primarily housewives, ironing men were rather the exception back then. Among them was the newly minted househusband Daniel, who struggles with an ironing board and creased jeans. Paul Bühlmann as his buddy Georges does a much more confident job.

นักแสดงนำ

  • Jörg Schneider

    Jörg Schneider

    Daniel

  • Paul Bühlmann

    Paul Bühlmann

    Georges

  • Rosy Steinberg

    Rosy Steinberg

  • Melitta Gautschy

    Melitta Gautschy

เรื่องย่อ

Love and friendship, lies and betrayal - comedies often deal with existential themes. But not always. Sometimes everyday life is enough to pick up an audience and entertain them. The audience suddenly sees themselves as experts who can give an informed opinion on what is happening on stage: In the case of "Pantoffelheld" from 1983, it was probably primarily housewives, ironing men were rather the exception back then. Among them was the newly minted househusband Daniel, who struggles with an ironing board and creased jeans. Paul Bühlmann as his buddy Georges does a much more confident job.

คะแนน

ไม่มีเรตติ้ง / 10
0 รีวิว
0 ยอดนิยม

ภาพยนตร์แนะนำ

เจอร์รี่ ไซน์เฟลด์: ฆ่าเวลา 23 ชั่วโมง

เจอร์รี่ ไซน์เฟลด์ขึ้นเวทีในนิวยอร์กพร้อมถกข้อดีข้อด้อยระหว่างการพูดคุยกับการส่งข้อความ บุฟเฟ่ต์ห่วยๆ กับร้านอาหารที่ว่ากันว่า "เด็ด" รวมทั้งความอัศจรรย์ของป๊อปทาร์ต

เจอร์รี่ ไซน์เฟลด์: ฆ่าเวลา 23 ชั่วโมง

6.2 2020
Move

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

Move

6.4 2012