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忠臣蔵

This 1932 adaptation is the earliest sound version of the ever-popular and much-filmed Chushingura story of the loyal 47 retainers who avenged their feudal lord after he was obliged to commit hara-kiri due to the machinations of a villainous courtier. As the first sound version of the classic narrative, the film was something of an event, and employed a stellar cast, who give a roster of memorable performances. Director Teinosuke Kinugasa was primarily a specialist in jidai-geki (period films), such as the internationally celebrated Gate of Hell (Jigokumon, 1953), and although he is now most famous as the maker of the avant-garde silent films A Page of Madness (Kurutta ichipeji, 1926) and Crossroads (Jujiro, 1928), Chushingura is in fact more typical of his output than those experimental works. The film ranked third in that year’s Kinema Junpo critics’ poll, and Joseph Anderson and Donald Richie noted that 'not only the sound but the quick cutting was admired by many critics.

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นักแสดงนำ

  • 三代目 阪東壽三郎

    三代目 阪東壽三郎

    Kuranosuke Ôishi

  • 長谷川一夫

    長谷川一夫

    Asano Takuminokami and Yoshida Sawaemon (as Chôjirô Hayashi)

  • 市川右太衛門

    市川右太衛門

    Awajinokami Wakisaka / Gorobei Kakimi

  • 岩田祐吉

    岩田祐吉

    Kurobee Ōno

  • 藤野秀夫

    藤野秀夫

    Hyobu

  • Sôjin Kamiyama

    Sôjin Kamiyama

    Kozukenosuke Kira

  • 高田浩吉

    高田浩吉

    Sezaemon Oishi

  • 堀正夫

    堀正夫

    Soemon Hara / Kusama Katsunosuke

  • 尾上栄五郎

    尾上栄五郎

    Heihachiro Kobayashi

เรื่องย่อ

This 1932 adaptation is the earliest sound version of the ever-popular and much-filmed Chushingura story of the loyal 47 retainers who avenged their feudal lord after he was obliged to commit hara-kiri due to the machinations of a villainous courtier. As the first sound version of the classic narrative, the film was something of an event, and employed a stellar cast, who give a roster of memorable performances. Director Teinosuke Kinugasa was primarily a specialist in jidai-geki (period films), such as the internationally celebrated Gate of Hell (Jigokumon, 1953), and although he is now most famous as the maker of the avant-garde silent films A Page of Madness (Kurutta ichipeji, 1926) and Crossroads (Jujiro, 1928), Chushingura is in fact more typical of his output than those experimental works. The film ranked third in that year’s Kinema Junpo critics’ poll, and Joseph Anderson and Donald Richie noted that 'not only the sound but the quick cutting was admired by many critics.

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1

Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.

1

6.7 2020