Sangre pura: Descartada
The visual material belongs to the discards of the film Pura sangre that the Colombian director Luis Ospina made in 1982; The editing and sound were done by Fabián Otero and Juan Camilo Moreno.
The visual material belongs to the discards of the film Pura sangre that the Colombian director Luis Ospina made in 1982; The editing and sound were done by Fabián Otero and Juan Camilo Moreno.
The visual material belongs to the discards of the film Pura sangre that the Colombian director Luis Ospina made in 1982; The editing and sound were done by Fabián Otero and Juan Camilo Moreno.
Documentary about the art of film editing. Clips are shown from many groundbreaking films with innovative editing styles.
อาร์เจนตินา 1985 ได้รับแรงบันดาลใจจากเหตุการณ์จริงของฮูลิโอ สตราสเซร่า ลูอิส โมเรโน่ โอคัมโป และทีมกฎหมายอายุน้อยของพวกเขาที่เป็นฮีโร่อย่างไม่น่าเชื่อในการต่อสู้ของไก่รองบ่อนซึ่งถูกคุกคามตลอดเวลา พวกเขากล้าดำเนินคดีระบอบเผด็จการทหารที่นองเลือดที่สุดของอาร์เจนตินาแม้เป็นไปได้ยาก และแข่งกับเวลาในการนำความยุติธรรมมาสู่เหยื่อของคณะเผด็จการทหาร
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.
The most famous murder scene in movie history comprises 78 camera settings and 52 cuts: the shower scene in Alfred Hitchcock's Psycho. 78/52 tells the story of the man behind the curtain and his greatest obsession.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
Years spent recording footage of creatures from every corner of the globe is bound to produce a bit of drama. Here's a behind-the-scenes look.
The film consists of 16 shorts that explore, with humor and social criticism, the characteristics of the Argentine identity.
A prisoner leads his counterparts in a protest for better living conditions which turns violent and ugly.
ช่างภาพแฟชั่นชื่อดังพัฒนาความสามารถอันน่าสะเทือนใจในการมองผ่านมุมมองของฆาตกรต่อเนื่อง