Лиза Варвара Аранова: Концерт без зрителей
A one-woman show by Elizaveta Varvara Aranova, filmed in an empty auditorium and structured as an honest, one-on-one conversation.
A one-woman show by Elizaveta Varvara Aranova, filmed in an empty auditorium and structured as an honest, one-on-one conversation.
Елизавета-Варвара Аранова
self
A one-woman show by Elizaveta Varvara Aranova, filmed in an empty auditorium and structured as an honest, one-on-one conversation.
Shurik, a kind but naïve ethnography student, falls in love with the intelligent, athletic and beautiful All-Union Leninist Young Communist League member Nina. He has a rival in the wealthy comrade Saakhov, who concocts a kidnapping scheme to force Nina to marry him.
After the Ball, a retail fairy tale set in the world of fashion. Kate's dream is to design for couturier houses. Although she is a bright new talent, Kate can't get a job. No one trusts the daughter of Lee Kassell, a retail guru who markets clothes "inspired" by the very designers Kate wants to work for. Who wants a spy among the sequins and stilettos? Reluctantly, Kate joins the family business where she must navigate around her duplicitous stepmother and two wicked stepsisters. But with the help of a prince of a guy in the shoe department her godmother's vintage clothes and a shocking switch of identities, Kate exposes the evil trio, saves her father's company -- and proves that everyone can wear a fabulous dress.
In this unique and dynamic live concert experience, Louis C.K.'s exploration of life after 40 destroys politically correct images of modern life with thoughts we have all had...but would rarely admit to.
Wanda Sykes tackles politics, reality TV, racism and the secret she'd take to the grave in this rollicking, no-holds-barred stand-up special.
ริคกี้ เจอร์เวสพูดถึงชีวิต ความตาย และสถานการณ์บนโลกในการแสดงสุดพิเศษที่ตรงไปตรงมาแบบไม่มีกั๊ก กระทั่งความตายของตัวเอง
Mary and her friend, Rachel, are new students at St. Francis Academy, a boarding school run by the iron fist of Mother Superior. The immature teens grow bored and begin playing pranks on both the unsuspecting nuns and their unpleasant classmates, becoming a constant thorn in Mother Superior's side. However, as the years pass, Mary and Rachel slowly mature and begin to see the nuns in a different light.
Returning for a second Netflix comedy special, Jim Jefferies unleashes his famously ferocious black humor to a packed house in Nashville, Tennessee.
Kenneth (who likes to call himself Kay) begins to realise he's just another wannabe bad boy... even less than a loser in fact. After quitting his job at Laimsbury's, Kay vows to become a respected gangster... or cry trying. A pulls-no-punches, coming-of-age story, centering on one directionless hopeless "shotter", who finds his true worth in the face of urban adversity.
Sarah Silverman appears before an audience in Los Angeles with several sketches, taped outside the theater, intercut into the stand-up performance. Themes include race, sex, and religion. Her comic persona is a self-centered hipster, brash and clueless about her political incorrectness. A handful of musical numbers punctuate the performance.
It’s always been a dream of mine to do a show at the Fillmore. The name itself is synonymous with legendary performances. Countless iconic musicians and comedians have been on that stage. To be a part of that history was something I’ll never forget. As much as I was trying to keep my head together before the show, I couldn’t help but feel like a tourist or just some random dude who won a contest. LET IT GO represents the culmination of material I developed on the road from 2008-2009. As always thanks to everyone who came out to my shows, laughed at the funny stuff and stared during the bombing. I hope you enjoy it. – Bill Burr