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เรื่องย่อ

เมื่อใครสักคนถูกฆ่าตายด้วยความเคียดแค้น เมื่อนั้นคำสาปจึงบังเกิดขึ้น! เรื่องราวเกิดขึ้นเมื่อ "ปีเตอร์" นายหน้าอสังหาริมทรัพย์ได้รับคำสั่งให้ตรวจสอบ บ้านหลังหนึ่งซึ่งน่าสงสัยก่อนที่เขาจะพบศพเน่าเปื่อยในอ่างอาบน้ำ ก่อนที่จะแจ้งตำรวจสาวที่ชื่อ "มัลดูน" จึงเข้ามาสืบเรื่องราวว่าอะไรคือสาเหตุการตาย แต่ทว่าเมื่อสืบเรื่องนี้เขาทำให้เธอได้รู้ว่า เธอกำลังถูกคุกคามจากวิญญาณสุดเฮี้ยนที่มาพร้อมกับคำสาปที่จะหลอกหลอนคนที่ย่างกรายเข้ามาในบ้านแห่งนี้

คะแนน

5 รีวิว

• 

  Manuel São Bento

  3 8 ม.ค. 2563

  If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com It's a brand new year, which means January gets to be the traditional "trash month" once again. In Portugal, it's actually one of the best months of the year since all of the Oscar-contender films are released (late) during these first few weeks. However, it still contains the formulaic action and/or horror movies. The Grudge, a reboot of a remake (because why not?), is the most recent addition to the group of horror flicks that no one really understands why they were produced. I was never a fan of the film series, so obviously, I wasn't expecting much from a reboot of a franchise that always looked like a lazily cheap way of filming a few jump scare sequences with no remarkable storytelling. Nicolas Pesce shows some hints of talent regarding his filmmaking skills with some efficiently suspenseful scenes, but the aspect to blame in this type of movies is always the same: screenplay. I can't remember the last film I saw that treated the audience like the dumbest people alive. It truly becomes disrespectful. It's like the producers thought that the target audience for a horror flick was 5-year-old children. It reaches a point where the movie itself feels like it's being very intelligent in the way it shares plot information. It creates this tense build-up, filled with characters almost dropping a big twist, and then... it's something so evident since the first few minutes of the film. This process repeats throughout the entire runtime. "Here comes a big twist! Are you ready? Watch out! Here it goes... BAM! You didn't saw that coming, did you?!" Yes. We did. Everyone did. Even the theater supervisor who only shows up for a couple of seconds each half an hour was able to figure out everything that was happening. During the screening, I didn't know if I should laugh due to the ridiculously explicit plot points or if I should be frustrated for being treated like I was totally brainless. Everything about The Grudge feels painfully obvious. I try my best not to think too far ahead. I try not to predict what's going to occur or when a jump scare is going to happen. But this movie is so incredibly generic that I couldn't avoid knowing everything instinctively. Story-wise or jump scares, it doesn't matter. Everything that Pesce tries to do, it's surrounded by such an aura of predictability that makes this horror film extremely dull. I mean, that's one of the worst feelings one can have while watching a horror movie, right? How can someone feel bored by a film constantly throwing jump scares and "massive" plot points every five minutes? Well, The Grudge was able to accomplish this miracle. I don't know why The Grudge, as a film series, continues to exist. The first installment, which was itself a remake of the Japanese original, was a surprising box office success. Still, the majority of the audience and critics didn't really like the movie. The consequent theater releases were a disappointment. So, let's do a reboot of the remake, right? Nicolas Pesce seems to be a great filmmaker, he's able to easily generate tension and a dark environment, but such a huge misstep like this can hurt his career. The talented cast tries their best to bring this film to safe harbor, but the absurdly obvious, generic, formulaic, cliche story sunk the movie pretty hard. Its lack of surprising features, the extremely predictable jump scares, and the complete disregard for the audience, treating the viewers like the dumbest people ever, make The Grudge one of the worst horror films of the last few years. Rating: D

• 

  Gimly

  2 20 มี.ค. 2563

  The fact that this is how my 2020 film-watching career starts seems like a **REAL** bad omen for this year. Update: Oh boy. _Final rating:★ - Of no value. Avoid at all costs._

• 

  JPV852

  3 28 มี.ค. 2563

  Despite a fine cast, this latest entry (and quasi reboot) is pretty dull. I did like some of Pesce's direction and shots, but far too many of the cliched zingers from these supernatural-horror films. Probably won't remember very much about this in a few days (if not less)... **1.75/5**

• 

  SWITCH.

  2 29 เม.ย. 2563

  Although handsomely shot, with several good actors doing their best and a small handful of unsettling visuals, 'The Grudge' is ultimately a dull, disjointed mess that is riddled with cheap “boo!“ moments. I hope Pesce rebounds quickly from this failed effort in franchise-building and gets back to making the kind of idiosyncratic films he's clearly capable of. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-the-grudge-the-movie-reboot-curse-claims-another-victim

• 

  tmdb97554867

  10 15 พ.ย. 2568

  **Deserves massive re-evaluation** Yet again, it feels like nobody even gave this film a chance. The original films were the same repeated slop of someone entering a place, a bunch of visions and then death. So, I find it strange how nobody has an issue with the lack of story in those films. Nicolas Pesce actually attempts to tell something brand new while retraining the classic Grudge formula. Each storyline isn't meant to connect like a drama; it's meant to connect thematically like an anthology series. The storylines show how the curse preys on human weakness, which parallels the way people try to suppress emotions or trauma instead of confronting them. It explores parenting burnout, not accepting self-mental illness or the mental illness of others, and refusing to face the issues head-on. Even if you ignore the story, you can't deny the amazing atmosphere, cinematography and sound design. I agree that the timeline crosscutting was an odd choice, but you can blame studio interference for that. I hope this film gets re-evaluated in the future.