Return of the Gunfighter
"The odds were six to one but against Ben Wyatt ... he still had the edge !"
A gunfighter and a cowboy help a Mexican girl avenge the land-related murder of her parents.
"The odds were six to one but against Ben Wyatt ... he still had the edge !"
A gunfighter and a cowboy help a Mexican girl avenge the land-related murder of her parents.
Robert Taylor
Ben Wyatt
Chad Everett
Lee Sutton
Ana Martín
Anisa Domingo
Mort Mills
Will Parker
Lyle Bettger
Clay Sutton
John Davis Chandler
Sundance
Michael Pate
Frank Boone
Barry Atwater
Fred Lomax
John Crawford
Butch Cassidy
A gunfighter and a cowboy help a Mexican girl avenge the land-related murder of her parents.
I'm tired of death - It keeps on following me. Return of the Gunfighter is directed by James Neilson and adapted to screenplay by Robert Buckner from a story by Burt Kennedy. It stars Robert Taylor, Chad Everett, Ana Martín, Mort Mills, Lyle Bettger, John Davis Chandler and Michael Pate. Music is by Hans Salter and the Metrocolor cinematography is by Ellsworth Fredericks. Aging gunfighter Ben Wyatt (Taylor) receives a request to go aid an old friend who's in trouble. Upon arrival at the family ranch he finds that both his friend and his wife have been killed. Locating the surviving daughter, he teams up with hot headed drifter Lee Sutton (Everett) and sets about avenging the murder of his friend and the girls parents. By this time Robert Taylor was winding down his career and his life, 1967 would see him depart from the Western genre of film, how splendid to find he doesn't in the slightest disgrace himself here. His character is weather worn, a gunfighter tired of all the killing, of looking over his shoulder all the time. This proves to be perfect for Taylor, who gives the role a believable sense of pathos, the passing of time and that fate will not leave him alone hangs heavy. Breaking it down it's a straight forward narrative, where the one time bad guy is called on to use his deadly skills for some good, to rid the plains of some nasty sorts. The relationship with the young upstart (Everett the whitest teeth in the West) builds nicely, leading to a finale that attacks the emotions of the major players. There's a healthy quotient of action, decently staged by the tech crew, the Old Tuscon locations are nicely photographed, while support players impact with credit on the story. It's not all plain sailing, Salter's score is sometimes well in keeping with the era, but at other times it comes off like a Sccoby-Doo piece. Suspension of disbelief is of course required, none more so than when Ana Martín goes about the town pretending to be a boy and everyone falls for it - she is simply too pretty to remotely pass as male, and the appearance of Butch and Sundance in the plot is most odd. Yet it's a lovely Oater this, feeling more like one from the 1950s than from the tail end of the 60s. Highly recommended to Taylor fans and fans of traditional Western fare. 8/10
A powerful rancher always protects his wild adult son by paying for damages and bribing witnesses, until his crimes become too serious to rectify.
Ross Bodine and Frank Post are cowhands on Walt Buckman's R-Bar-R ranch. Bodine is older and broods a bit about how he will get along when he's too old to cowboy. Post is young and rambunctious and ambitious for a better life than wrangling cows. When one of their fellow cowboys is killed in a corral accident, Post suggests a way into a better life for himself and his friend: robbing a bank. Bodine reluctantly joins in the plan and the two contrive to rob the local bank. They make good their escape initially, but Walt Buckman and his two sons, John and Paul, are incensed at this betrayal by their own trusted employees. John and Paul set out to bring Bodine and Post to justice.
Karl Westover, an inexperienced farm boy, runs away after unintentionally killing a neighbor, whose family pursues him for vengeance. He meets Barbarosa, a gunman of near-mythical proportions, who is himself in danger from his father-in-law Don Braulio, a wealthy Mexican rancher. Don Braulio wants Barbarosa dead for marrying his daughter against the father's will. Barbarosa reluctantly takes the clumsy Karl on as a partner, as both of them look to survive the forces lining up against them.
A man and his partner arrive at a small Western town to kill its most powerful man because the former blames him for his wife's death.
ยูล บรีนเนอร์นำแสดงในบทหนึ่งในเจ็ดสุดยอดมือปืนที่ต่อสู้กับกองทัพโจรปล้นสะดม ในภาพยนตร์แอ็กชันระทึกใจเรื่องนี้ ซึ่งเป็นเรื่องที่เริ่มต้นอาชีพของสตีฟ แม็คควีน, ชาร์ลส์ บรอนสัน และเจมส์ โคเบิร์น
การฆาตกรรมพ่อของเธอส่งทอมบอยวัยรุ่นไปปฏิบัติภารกิจ 'ความยุติธรรม' ซึ่งเกี่ยวข้องกับการล้างแค้นให้กับการตายของพ่อของเธอ เธอเกณฑ์จอมพลเฒ่าหัวแข็ง 'รูสเตอร์' ค็อกเบิร์น เพราะเขามีความ 'จริงจัง' และมีชื่อเสียงในการได้งานนี้ เสร็จแล้ว.
Blaise Starrett is a rancher at odds with homesteaders when outlaws hold up the small town. The outlaws are held in check only by their notorious leader, but he is diagnosed with a fatal wound and the town is a powder keg waiting to blow.
A cattle-vs.-sheepman feud loses Connie Dickason her fiance, but gains her his ranch, which she determines to run alone in opposition to Frank Ivey, "boss" of the valley, whom her father Ben wanted her to marry. She hires recovering alcoholic Dave Nash as foreman and a crew of Ivey's enemies. Ivey fights back with violence and destruction, but Dave is determined to counter him legally... a feeling not shared by his associates. Connie's boast that, as a woman, she doesn't need guns proves justified, but plenty of gunplay results.
Two black bounty hunters ride into a small town out West in pursuit of an outlaw. They discover that the town has no sheriff, and soon take over that position, much against the will of the mostly white townsfolk.
แมค แซน ชายหนุ่มลูกครึ่งอินเดียแดงพบศพพ่อแม่ของตัวเองถูกฆ่าอย่างทารุณ เขาจึงออกตามล่า เจสซี่, บิล และทอม แมคสามารถกำจัดเจสซี่และบิลได้สำเร็จ และช่วงเวลานั้นเขานึกถึงพระเจ้าทำให้ล้มเลิกการล้างแค้นในครั้งนี้