This live-concert video captures the Business at their best -- snarling and living up to their reputation -- during one of the group's 1998 United Kingdom tour shows. All the band's signature punk anthems (including "Suburban Rebels," "Smash the Discos" and "Drinking and Driving") are featured. Genre devotees will recall that the Business was at the forefront of the Oi (aka street punk) movement that became an offshoot of traditional punk music.
This live-concert video captures the Business at their best -- snarling and living up to their reputation -- during one of the group's 1998 United Kingdom tour shows. All the band's signature punk anthems (including "Suburban Rebels," "Smash the Discos" and "Drinking and Driving") are featured. Genre devotees will recall that the Business was at the forefront of the Oi (aka street punk) movement that became an offshoot of traditional punk music.
หลังจมอยู่กับความเศร้าเพราะถูกแฟนทิ้งอย่างน่าอับอาย นิกจึงจำใจตามเพื่อนซี้อย่างเชน ไปร่วมงานเทศกาลดนตรีซ่าที่จัดขึ้นสามวันสามคืนเพื่อให้ลืมเศร้า
คริสโตเฟอร์ เกสต์ จอมเสียดสีแนวสุดขั้ว ถ่ายทอดเรื่องราวผ่านสารคดีล้อเลียนของนักดนตรีโฟล์กยุค 1960 ที่เตรียมตัวกลับมารวมวง เพื่อแสดงคอนเสิร์ตรำลึกสุดซึ้ง
A look at New York's dynamic punk rock scene through the lens of the ground-breaking Lower East Side club started by eccentric Hilly Kristal in 1973 which launched thousands of bands.
Mater and Lightning McQueen are ready to rock! When Mater's garage band, Mater and the Gas Caps, records a hit song, Mater becomes a rock legend. Then Lightning joins Mater's band for the rock concert of the century!
An all-girl rock band moves to Hollywood in the hope of achieving success, only to fall into a whirlpool of wickedness and decadence.
Before Bad Brains, the Sex Pistols or even the Ramones, there was Death. Formed in the early '70s by three teenage brothers from Detroit, Death is credited as being the first black punk band, and the Hackney brothers, David, Bobby, and Dannis, are now considered pioneers in their field. But it wasn’t until recently — when a dusty 1974 demo tape made its way out of Bobby’s attic nearly 30 years after Death’s heyday — that anyone outside a small group of punk enthusiasts had even heard of them.
Hammersmith Odeon, London, July 3, 1973. British singer David Bowie performs his alter ego Ziggy Stardust for the very last time. A decadent show, a hallucinogenic collage of kitsch, pop irony and flamboyant excess: a musical symbiosis of feminine passion and masculine dominance that defines Bowie's art and the glam rock genre.
No other band in rock'n'roll history has rivaled The Stooges' combination of heavy primal throb, spiked psychedelia, blues-a-billy grind, complete with succinct angst-ridden lyrics, and a snarling, preening leopard of a frontman who somehow embodies Nijinsky, Bruce Lee, Harpo Marx, and Arthur Rimbaud all rolled into one. There is no precedent for The Stooges, while those inspired by them are now legion. The film will present the context of their emergence musically, culturally, politically, historically, and relate their adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as their long-lasting legacy.
Two former backup soul singers, Louis and Floyd, have not spoken to each other in 20 years, and reluctantly agree to travel across the country together to a reunion concert to honor their recently-deceased lead singer. Cleo, a beautiful young woman who is believed to be Floyd's daughter, accompanies them as a new singer.
A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."