Lars applies for job training, but his papers are mixed with an immigrant and he's sent instead to Danish class. When he learns that the attractive teacher, Ida, will lose her job if the immigrant isn't in attendance, he decides to go through with the erroneous assignment posing as the other guy. The short film is a comedy of errors, but works in some poignant and scathing observations about xenophobia.
Martin Buch
Lars Hansen/El Hassan
Camilla Bendix
Ida
Farshad Kholghi
Omid
Martin Hestbæk
Niels
Michel Castenholt
Pelle
Anette Støvelbæk
Receptionist Arbejdsformidlingen
Lars applies for job training, but his papers are mixed with an immigrant and he's sent instead to Danish class. When he learns that the attractive teacher, Ida, will lose her job if the immigrant isn't in attendance, he decides to go through with the erroneous assignment posing as the other guy. The short film is a comedy of errors, but works in some poignant and scathing observations about xenophobia.
When there’s a mix up at the job centre, “Lars” (Martin Buch) finds himself accidentally given the ID of a Pakistani immigrant to Denmark, and assigned compulsory Danish lessons. Oddly enough, he is already quite fluent in his native language but no amount of calling is going to get him excused from his course. Then he discovers that his school friend “Ida” (Camilla Bendix) - whom he barely remembers - is the teacher and if he doesn’t show up, then her work will get canned and she fired. Keen to be helpful, he dons a black wig and moustache and turns up pretending to be “El-Hassan”. Now with a foot in both camps, he is better able to experience some of the difficulties faced by immigrants who are routinely disparagingly referred to and not entirely welcome - especially in a job market where the local population are also looking for work. It is over-written to exaggerate a message that also takes a ping at the frustrations of bureaucracy and red tape, but at half an hour long it labours those points and milks the humour a bit too much as a little “Carry On” style romance creeps in. Buch does fine, though, and it's worth a watch but it’s curious that for an Oscar winner it didn’t track at all on the awards circuits in Europe - not even at home.
ริคกี้ เจอร์เวส ปั่นกระแสดราม่าด้วยมุมมองที่มีต่อการระวังคำพูดคำจา และประเด็นที่อ่อนไหวเกินเหตุ ในผลงานสแตนด์อัพคอมเมดี้ฉีกขนบที่กล้าพูดถึงจุดจบของมนุษยชาตินี้
เด็กมัธยมปลายสองคนร่วมมือกันพยายามโค่นล้มคณะกรรมการโรงเรียนในท้องถิ่น พวกเขาก้าวเข้าสู่โลกการเมืองที่เต็มไปด้วยอันตรายโดยได้รับคำแนะนำจากครอบครัว และในระหว่างนั้นก็ได้เรียนรู้สิ่งหนึ่งหรือสองสิ่งเกี่ยวกับความรัก
Gulley Jimson is a boorish aging artist recently released from prison. A swindler in search of his next art project, he hunkers down in the penthouse of would-be patrons the Beeders while they go on an extended vacation; he paints a mural on their wall, pawns their valuables and, along with the sculptor Abel, inadvertently smashes a large hole in their floor. Jimson's next project is an even larger wall in an abandoned church.
With his signature pitch-black sense of humor, Ricky Gervais takes the stage at the London Palladium in this provocative stand-up comedy special.
Rowan Atkinson and Angus Deayton in Boston doing a live performance of the same styles of humor we've seen in Mr. Bean and Blackadder. Included are lessons on Shakespearean acting, a school headmaster meeting with the father of a boy he's beaten to death, and tips for having a successful date.
Mary and her friend, Rachel, are new students at St. Francis Academy, a boarding school run by the iron fist of Mother Superior. The immature teens grow bored and begin playing pranks on both the unsuspecting nuns and their unpleasant classmates, becoming a constant thorn in Mother Superior's side. However, as the years pass, Mary and Rachel slowly mature and begin to see the nuns in a different light.
The stooges are three doctors who graduated medical school by being in it for too many years. They come across such problems as an overly chirpy nurse, a mental patient, and a combination to a safe swallowed by the hospital superintendent in the course of their attempt to get through the day.
In his first special in seven years, Ricky Gervais slings his trademark snark at celebrity, mortality and a society that takes everything personally.
Eddie Murphy delights, shocks and entertains with dead-on celebrity impersonations, observations on '80s love, sex and marriage, a remembrance of Mom's hamburgers and much more.
เควิน ฮาร์ต ซึ่งเล่นเป็นตัวเองในอีกเวอร์ชันหนึ่ง เสาะแสวงหาทางแบบเสี่ยงตายเพื่อเป็นดาราดังแอ็กชัน และด้วยความช่วยเหลือเล็กน้อยจากจอห์น ทราโวลตา นาธาลี เอ็มมานูเอล และจอช ฮาร์ตเน็ตต์ เขาอาจจะทำสำเร็จ