Run for Cover
"The story of a man apart... who brought faith to a youth, love to a woman, justice to a land!"
An ex-convict drifter and his flawed young partner are made sheriff and deputy of a Western town.
"The story of a man apart... who brought faith to a youth, love to a woman, justice to a land!"
An ex-convict drifter and his flawed young partner are made sheriff and deputy of a Western town.
James Cagney
Matt Dow
Viveca Lindfors
Helga Swenson
John Derek
Davey Bishop
Jean Hersholt
Mr. Swenson
Grant Withers
Gentry
Jack Lambert
Larsen
Ernest Borgnine
Morgan
Ray Teal
Sheriff
Irving Bacon
Scotty
An ex-convict drifter and his flawed young partner are made sheriff and deputy of a Western town.
You think you're the only one in the world ever got a raw deal... There's a lot of people in this world who've had a tougher time than you or me. Run for Cover is directed by Nicholas Ray and adapted to screenplay by Winston Miller from a story by Harriet Frank Jr. and Irving Ravetch. It stars James Cagney, Viveca Lindfors, John Derek, Jean Hersholt, Grant Withers, Jack Lambert, Ray Teal and Ernest Borgnine. A Technicolor/VistaVison production, with music by Howard Jackson and cinematography by Daniel Fapp. When Matt Dow (Cagney) and Davey Bishop (Derek) meet up they quickly become friends, but events conspire to see them wrongly suspected of robbing the train heading for Madison. Hunted down by a Madison posse, Bishop, a Madison resident, is severely injured and Dow taken to town for possible lynching. What unfolds is the truth comes out and the two men end up working as the law in town, but there is many more secrets to be unearthed in this part of New Mexico... Nicholas Ray brings a meditative state to the picture, ensuring the thematics of surrogate families, generation conflicts, mob justice and the corruption of youth, are all delicately handled by the great director, even dealing in Freudian textures for the key character relationship. There's a whiff of High Noon in how Matt will inevitably have to stand alone, and he will also have to fight inner turmoil about injustices and cope with disappointments as things refuse to go to plan under Madison's glaring sun. But this is a skilled character piece able to stand on its own terms. As a looker the film is quite simply stunning. Filmed out of Durango, Silverton and Aztec (the latter providing the finale set in the Aztec Ruins), the scenery is breath taking, Ray and Fapp surrounding the story with an imposing beauty that is hard to take your eyes from. Cast are led superbly by a restrained and reflective Cagney, who can say so much with just one glance of his eyes, and while Lindfors as Cagney's love interest is a bit wooden, she's at least given some decent scripting to work with. Elsewhere nobody fails in bringing their respective characters to life. Absolutely lovely Oater, one that may not break new ground with its formula of plotting, but comes out roaring regardless. It makes you wish Cagney had made more Westerns, Nicholas Ray also, while Fapp's photography here is alone worthy enough to consider catching this on any potential Blu-ray release. 7.5/10
“Matt” (James Cagney) and his partner “Daley” (John Derek) are lucky to have escaped the lynch mob after they are mistaken for bank robbers, and after he tells the townsfolk a few home truths the former man ends up their sheriff whilst the latter recovers from injuries sustained during their earlier apprehension. With all looking set fair, “Matt” takes up with “Helga” (Viveca Lindfors) and hopes to be married but the path of true love and all that soon intercedes as he discovers that “Davey” has a few demons of his own and then their bank is relieved of $85,000 by a murderous gang. Convening a posse, they set off to retrieve the cash and to hopefully set things straight between the two men. I don’t recall Cagney doing too many westerns and seeing him clad in denim takes a bit of getting used to, but once the film gets into it’s stride it turns into a superior example of the genre with plenty of gun toting and double-dealing. The romantic elements are kept under control and the decent array of supporting effort from the likes of Ray Teal, Jean Hersholt and Ernest Borgnine help to deliver a story that isn’t so much about the “wild” west as about a town and it’s people turning more to civilisation and the rule of law. The photography captures both the action scenes and those more intimate well and with a little more emphasis on the two leading characterisations, this is well worth a look.
John Wayne กับบทบาทนายอำเภอ จอห์น ที ชานส์ นายอำเภอของเมืองเล็ก ๆ ในรัฐเท็กซัส ที่ต้องปะทะกับเเก๊งโจรนอกกฎหมายที่มาช่วยเหลือพี่ชายที่อยู่ในคุก
After crossing the border illegally for work, Miguel, a hard-working father and devoted husband, finds himself wrongfully accused of murdering a former sheriff’s wife. After learning of his imprisonment, Miguel’s pregnant wife tries to come to his aid and lands in the hands of corrupt coyotes who hold her for ransom. Dissatisfied with the police department’s investigation, the former sheriff tries to uncover the truth about his wife’s death and discovers disturbing evidence that will destroy one family’s future, or tear another’s apart.
In this epic Western, Wade Hatton, a wagon master turned sheriff, tames a cow town at the end of a railroad line.
A man and his partner arrive at a small Western town to kill its most powerful man because the former blames him for his wife's death.
While confronting the disapproving father of his girlfriend Lola, Native American man Willie Boy kills the man in self-defense, triggering a massive manhunt, led by Deputy Sheriff Christopher Cooper.
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หลังสงครามกลางเมือง เจสซี่ เจมส์นำทีมกลุ่มชาวไร่สุดกร้าวยืนหยัดต่อสู้กับมหาเศรษฐีเจ้าของโครงการทางรถไฟ ที่พยายามหาทางเข้ามายึดครองที่ดินของพวกเขา
กลุ่มคาวบอยแดนเถื่อนมากไหวพริบและเล่ห์เหลี่ยมจากต่างที่ ได้เดินทางมายังเมืองเล็กๆ เพื่อเสี่ยงโชค ก่อนจะมีเรื่องกับผู้ทรงอิทธิพลฉ้อฉลและบรรดาศัตรูเก่า
ชีวประวัติที่ยิ่งใหญ่ของนักกฎหมายชาวตะวันตก Wyatt Earp ซึ่งในวัยเด็กได้รับการสอนว่าไม่มีอะไรสำคัญไปกว่าครอบครัวและกฎหมาย เขากลายเป็นนายอำเภอที่น่านับถือในเมืองดอดจ์และทูมสโตน เอิร์ปร่วมกับพี่น้องของเขาและหมอฮอลลิเดย์ทำสงครามกับแก๊งค์แคลนตันและแก๊งแมคลอรีที่น่าสะพรึงกลัว
In a modern cow town, the powerful ranch owner’s henchmen kill a ranch hand, prompting the sheriff to investigate despite facing strong opposition. He finds an unlikely ally in the rancher's overprotected daughter, but their quest for justice puts them both in danger.