Posse
""Posse" begins like most Westerns. It ends like none of them. It will knock you off your horse."
A tough marshal with political ambitions leads an elite posse to capture a notorious train robber and his gang.
""Posse" begins like most Westerns. It ends like none of them. It will knock you off your horse."
A tough marshal with political ambitions leads an elite posse to capture a notorious train robber and his gang.
Kirk Douglas
Howard Nightingale
บรูซ เดิร์น
Jack Strawhorn
Bo Hopkins
Wesley
James Stacy
Harold Hellman
Luke Askew
Krag
David Canary
Pensteman
Alfonso Arau
Pepe
Katherine Woodville
Mrs. Cooper
Mark Roberts
Mr. Cooper
A tough marshal with political ambitions leads an elite posse to capture a notorious train robber and his gang.
_**What if the "good guys" are just as bad as the bad guys?**_ Released in 1975, "Posse" is a Western starring Kirk Douglas and Bruce Dern. Douglas plays, Nightingale, a marshal campaigning for the Senate in West Texas while Dern plays Strawhorn, a notorious outlaw leader whom Nightingale wants to bring in to increase his chances of winning the election. Bo Hopkins is on hand as one of the marshal's deputies while James Stacy plays a newspaper editor who opposes the marshal's campaign. The movie debuted a year after Nixon resignation due to the Watergate scandal and "Posse" takes advantage of the public's loss of trust in politicians. Nightingale (Douglas) and his deputies are juxtaposed with Strawhorn (Dern) and his losers. There's no overt message, however, until the last 20 minutes. Speaking of which, the twist of the climax initially turned me off and filled me with disgust. But, after reflecting on it, I saw what the movie was getting across and respected it. It's just that the way the message is conveyed is awkwardly implemented. It could've been done more smoothly. Some critics mistake the film's message as comparing a (supposedly) corrupt politician with a (supposedly) honest lawbreaker, but this is inaccurate. For one thing, "honest lawbreaker" is an oxymoron, particularly where Strawhorn is concerned. Right out of the gate the movie plainly shows him to be a murderous thug and, while a smooth-talker, he's never made out to be the good guy. He's a scumbag criminal worthy of hanging, impure and simple. Nor is Nightingale shown to be wickedly corrupt. He's a commanding marshal of the territory, which is a good thing; he has political aspirations and ties to the railroad, so what? Even when tempted by the blonde hottie Mrs. Ross (Beth Brickell) he charmingly turns her down on the grounds that it wouldn't be advantageous. Isn't that what wisdom is-having the scruples to recognize and deny foolish, immoral or destructive desires/behaviors? For more insights on the message of the movie remember that the film is called "Posse." See below for details. Beyond the movie's message, "Posse" is a competent, entertaining Western with interesting characters, a quality cast and quite a bit of action. The film runs 92 minutes and was shot in Sabino Canyon, Florence, Sonoita, Aravaipa Canyon and Old Tucson, Arizona. GRADE: B-/C+ ***SPOILER ALERT*** (Don't read further if you haven't seen the movie) I didn't find the deputies' sudden shift to the life of outlawry to be believable. True, they would each have $6000, which would've taken three years for them to make doing honest work, but it wasn't like this was enough moolah to radically change their lives, not to mention they'd lose the prestige that came with being deputies; and the possibility of becoming marshals or sheriffs one day. No matter how you slice it, this was an awkwardly implemented twist and lowers my grade of the film. That said, there were signs that the 'posse' were already bad (with the exception of one deputy who refused to betray Nightingale and turn to crime). For instance, at least three of them are shown secretly bedding some young babes from the town in a conveniently available boxcar. These nubile ladies were obviously attracted to the "bad boys," which just so happen to be 'upstanding deputies,' members of the brave posse. What else is new? So what's the movie saying? The line between respectable profession and outlawry can be very thin. People can be in an honest occupation and be corrupt; they're essentially just masquerading. It happens everywhere all the time. One critic lambasted the film for it's "tortuous confusion of good and evil." Actually, the movie just sheds light on the existence of evil in places where people naively pull the wool over the eyes not to see it. Look no further than HeyLIARy. What about Nightingale? Was he shady or just his men? I personally don't think he was. He struck me as an ambitious justice-seeking marshal with political ambitions and he refused to even consider an illicit sexual liaison. But it's not a good reflection on his character that the majority of his men were corrupt, so maybe he was too, at least a little; and it would overtly manifest down the line in office. Despite my criticisms, any movie that can spur such questions is worth checking out.
A wagon train heads for Denver with a cargo of whisky for the miners. Chaos ensues as the Temperance League, the US cavalry, the miners and the local Indians all try to take control of the valuable cargo.
การฆาตกรรมพ่อของเธอส่งทอมบอยวัยรุ่นไปปฏิบัติภารกิจ 'ความยุติธรรม' ซึ่งเกี่ยวข้องกับการล้างแค้นให้กับการตายของพ่อของเธอ เธอเกณฑ์จอมพลเฒ่าหัวแข็ง 'รูสเตอร์' ค็อกเบิร์น เพราะเขามีความ 'จริงจัง' และมีชื่อเสียงในการได้งานนี้ เสร็จแล้ว.
When Rocklin arrives in a western town he finds that the rancher who hired him as a foreman has been murdered. He is out to solve the murder and thwart the scheming to take the ranch from its rightful owner.
ขณะที่รถไฟห้อตะบึงผ่านเทือกเขาร็อคกี้ มีผู้โดยสารถูกฆาตกรรม ความหวังเดียวคือจอห์น เดคิน ผู้ไปค้นพบความลับที่ก่อให้เกิดการเผยความจริงที่น่าตกใจ การทะเลาะวิวาท และการดวลปืนสุดระห่ำ
In the turn-of-the century Texas town of Cottonwood Springs, marshal Frank Patch is an old-style lawman in a town determined to become modern. When he kills drunken Luke Mills in self-defense, the town leaders decide it's time for a change. That ask for Patch's resignation, but he refuses on the basis that the town, on hiring him, had promised him the job for as long as he wanted it. Afraid for the town's future and even more afraid of the fact that Marshal Patch knows all the town's dark secrets, the city fathers decide that old-style violence is the only way to rid themselves of the unwanted lawman.
ชาวอเมริกันที่ตกงานสองคนพยายามโน้มน้าวคนสำรวจให้เดินทางไปที่ภูเขาในเม็กซิโกเพื่อตามหาทองคำ แต่ความเวิ้งว้างอันโหดร้าย กลุ่มโจรในพื้นที่ และความโลภล้วนขัดขวางการเดินทางของพวกเขา
นักสืบแมทเธียส บรีเชอร์ ผู้ได้รับการว่าจ้างให้ตามล่าอาชญากรสงครามฝ่ายสมาพันธรัฐที่เลวร้ายที่สุด เดินทางท่องไปในตะวันตกเก่าเพื่อแสวงหาความยุติธรรม ความมุ่งมั่นของเขาถูกทดสอบเมื่อเขาได้พบกับผู้หญิงผู้บุกเบิกที่มีความมุ่งมั่นซึ่งมีความสามารถมากกว่าที่เห็น
Karl Westover, an inexperienced farm boy, runs away after unintentionally killing a neighbor, whose family pursues him for vengeance. He meets Barbarosa, a gunman of near-mythical proportions, who is himself in danger from his father-in-law Don Braulio, a wealthy Mexican rancher. Don Braulio wants Barbarosa dead for marrying his daughter against the father's will. Barbarosa reluctantly takes the clumsy Karl on as a partner, as both of them look to survive the forces lining up against them.
Howard Spence has seen better days. Once a big Western movie star, he now drowns his disgust for his selfish and failed life with alcohol, drugs and young women. If he were to die now, nobody would shed a tear over him, that's the sad truth. Until one day Howard learns that he might have a child somewhere out there...
A group of unlikely travelling companions find themselves on the same stagecoach to Cheyenne. They include a drunken doctor, a bar girl who's been thrown out of town, a professional gambler, a travelling liquor salesman, a banker who has decided to embezzle money, a gun-slinger out for revenge and a young woman going to join her army captain husband. All have secrets but when they are set upon by an Indian war party and then a family of outlaws, they find they must all work together if they are to stay alive.