Il malato immaginario

In 18th-century Rome, impish aristocrat Onofrio del Grillo amuses himself by playing pranks on all sorts of people — his reactionary family and fellow nobles, the poors, the French occupiers trying to modernize society, and even the Pope himself.

Sergio Benvenuti is a shy seller of contracts for a Roman company of music, but because of his character he cannot find even a customer, so he asks for help from a fellow named Nadia.

เด็กมัธยมปลายสองคนร่วมมือกันพยายามโค่นล้มคณะกรรมการโรงเรียนในท้องถิ่น พวกเขาก้าวเข้าสู่โลกการเมืองที่เต็มไปด้วยอันตรายโดยได้รับคำแนะนำจากครอบครัว และในระหว่างนั้นก็ได้เรียนรู้สิ่งหนึ่งหรือสองสิ่งเกี่ยวกับความรัก

A beautiful girl Rosina lives In Rome. Her husband is strong as a bull and jealous as Shakespeare's Othello. Once the husband of Rosina kills a wealthy aristocrat, who sang the serenade to his wife, and now he is hiding from justice.

A wealthy broker, Federico Picchioni, within two days forfeits his partner and work, finishing well to living with two children and granddaughter (abandoned by her father). He is, at this point, in the face of many difficulties of adjustment but finds comfort in the help of his neighbor.

In Pietrasanta all are excited for the annual party of summer end. Here we find four characters: Merigo, a naive guy passionate of bike; Pierre, son of the mayor; Simone, a pestiferous kid; Mario, lifeguard of "Bagnomaria".

ฟิลเป็นคนช่างฝัน ความฝันส่วนใหญ่ไม่เป็นจริง ฟิลเกลียดสิ่งนั้น แต่นั่นไม่ได้หยุดฟิลไม่ให้ฝัน

Lifelong best friends, Sam and Jess, are each other’s everything. But when Jess meets a handsome out-of-stater, Landon, Sam begins to fear she’s being cast aside. To make matters worse, a massive corporation - who happens to be Landon’s employer - is threatening the small-town way of life they know and love in Vermont. In order to save her sisterhood and protect the town, Sam will pull out all the stops to keep both Jess’s relationship and the ominous company from developing any further.

Benito Mussolini resurfaces in Rome 72 years after his death, as if not a single day had passed. Finding a country still full of problems, both old and new, his firebrand rhetoric wins him once again the hearts and minds of millions of Italians — who see him as a wacky reenactor who speaks inconvenient truths to power.

An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel.