สิงหาสับ
"Who will survive and what will be left of them?"
กลุ่มเพื่อนหนุ่มสาวห้าคนต้องเผชิญกับฝันร้ายอันแสนทรมานจากฝีมือของกลุ่มคนเสื่อมทรามชาวเท็กซัส
"Who will survive and what will be left of them?"
กลุ่มเพื่อนหนุ่มสาวห้าคนต้องเผชิญกับฝันร้ายอันแสนทรมานจากฝีมือของกลุ่มคนเสื่อมทรามชาวเท็กซัส
Marilyn Burns
Sally
Allen Danziger
Jerry
Paul A. Partain
Franklin
William Vail
Kirk
Teri McMinn
Pam
Edwin Neal
Hitchhiker
Jim Siedow
Old Man
Gunnar Hansen
Leatherface
John Dugan
Grandfather
กลุ่มเพื่อนหนุ่มสาวห้าคนต้องเผชิญกับฝันร้ายอันแสนทรมานจากฝีมือของกลุ่มคนเสื่อมทรามชาวเท็กซัส
***Disturbing iconic slasher about a demented family in rural Texas*** After a van of young people picks up a psycho hitchhiker in east Texas they stumble upon a farm house of crazies, including a burly mute man with a mask made of human-skin. Tobe Hooper’s "The Texas Chainsaw Massacre" (1974) is a seminal, iconic slasher that’s genuinely disturbing and horrific because it plays out in a gritty, realistic manner. While some viewers might find a couple of scenes amusing, like Franklin in his wheelchair accidently rolling down the hill and, later, having a hammy fit in the dilapidated building, it doesn’t change the fact that this is a serious, unsettling horror flick. By contrast, Rob Zombie’s homage (or rip-off), “House of 1000 Corpses” (2003), wasn’t disturbing or horrific at all because he opted for an over-the-top, cartoony approach. It was colorful and amusing, yes, but not unsettling or horrifying. Other positives include the rural locations, cool nighttime sequences, e.g. the thorn bush, and the effectively photographed women with no raunch: Teri McMinn (Pam) and Marilyn Burns (Sally). They’re girl-next-door types, but alluring enough. So this is a standout film as far as serious slasher horror goes and I can understand those who give it a high rating, but horror movies are about more than just scaring & troubling the viewer. For me, the last act is overly one-dimensional, focusing too much on the eye-rolling demonic dirtbag family and a girl fleeing & screaming. It’s thoroughly manic, indeed, but also vacuous and uninspiring. The film runs 1 hour, 23 minutes; there’s also an 88 minute unrated version. It was shot in east Texas as follows: Round Rock (house), Bastrop (gas station/BBQ shack), Leander (cemetery) and Watterson (slaughterhouse). The house has since been moved to Kingsland and refurbished as a restaurant. GRADE: B-/C+
It's maybe not fair to appraise a film 50 years after it was made too harshly, but I found this really quite over-rated and annoying. Five travellers pick up an hitch-hiker in their van but quickly discover that he has a penchant for knives and, well he isn't quite the full shilling. Anyway they manage to get shot of him and arrive at a garage that has no petrol near the grave of the grandfather of the wheelchair-bound "Franklin" (Paul A. Partain) and his sister "Sally" (Marilyn Burns) who are travelling with her boyfriend "Jerry" (Allan Danziger) and friends "Kirk" (William Vail) and his girlfriend "Pam" (Teri McMinn). It's the latter two who set of for a swim and never come back. Concerned, "Jerry" goes off in search before, yep - the other two head off into the desert in the dark to see what's what. Pretty early on, we know just what has happened to the first pair and so fully expect the expected... Except, it doesn't quite pan out quite how we might anticipate - else how we could we ever have known about this story? It's all about the last twenty minutes and even then I found it all rather flat and noisy. Way too much of the sense of peril here comes from endless screaming, running about in the bushes in the dark and the behaviour of visitors who just haven't a clue about basic self-preservation. Who would set off into unknown terrain in pitch dark pushing a bloke in a wheelchair after three of their friends had gone missing? Once we meet the perpetrators, again it all just comes across as something that wouldn't look out of place in a Carry On film made in the Hammer House of Horrors - there isn't an hint of menace at any point amongst the faux gore and crescendo hysterics. It's clearly been made on a tiny budget and the production standards reflect that - the continuity is a bit of a joke with wounds that are there then not or windows that self-repair... Nope, perhaps I just wasn't in the mood but I found this really quite disappointing and funny - but not really in a good way.
**One of the best and most fascinating horror movies ever made.** Just as the title says it, it is wihout any doubt one of the best and most influential horror films ever made. Its production history is also quite fascinating. If you are into horror or slasher movies, you simply have to have seen and experienced it. Nuff said.
ในก้นบึ้งของความหวาดกลัวยุคปัจจุบัน ภาพยนตร์บางเรื่องมีผลกระทบอย่างรุนแรง เช่นในผลงานภาพยนตร์คลาสสิค ปี 1977 ของ เวส คราเว่น เรื่อง The Hills Have Eyes ด้วยความดิบ และเหี้ยมโหดระทึกขวัญอย่างไม่ปราณีในเรื่องราวของครอบครัวหนึ่งซึ่งกำลังอยู่ระหว่างการพักร้อน ที่ต้องเผชิญหน้าการต่อสู้อย่างสิ้นหวังเพื่อเอาชีวิตรอด ในภาพยนตร์ต้นทุนสร้างแสนจะต่ำแต่ไม่มีขีดจำกัดกับรูปแบบที่มาจากแกนเรื่องที่เต็มไปด้วยทั้งเล่ห์กลและความน่าสะเทือนใจอย่างแรงที่จะเขย่าทุกขุมประสาท
After picking up a traumatized young hitchhiker, five friends find themselves stalked and hunted by a chainsaw-wielding killer and his family of equally psychopathic killers.
Chrissie and her friends set out on a road trip for a final fling before one is shipped off to Vietnam. Along the way, bikers harass the foursome and cause an accident that throws Chrissie from the vehicle. The lawman who arrives on the scene kills one of the bikers and brings Chrissie's friends to the Hewitt homestead, where young Leatherface is learning the tools of terror.
After fleeing his psychotic father, a young teen and his mom seek refuge in a remote farmhouse, only to face a pack of ferocious dogs and the sinister spirits that haunt the property.
เรื่องของหนุ่มดวงซวยสุดขีด จิม ฮัลซี่ย์ (Howell) ที่ขับรถข้ามรัฐอยู่ดีๆ ก็ไปรับเอาคนโบกรถท่าทางเป็นมิตรอย่างจอห์น ไรเดอร์ (Hauer) แต่หารู้ไม่ว่าไอ้หมอนี่คือฆาตกรโรคจิตสุดอำมหิตโหดเหี้ยม และมันมีแผนให้จิมเรียบร้อย ว่าแต่จิมจะรอดไปจากเงื้อมมือของมันได้หรือไม่
Crazed members of a sadistic family return to their childhood home to terrorize the new owners.
An aging, reclusive Southern belle plagued by a horrifying family secret descends into madness after the arrival of a lost relative.
เรื่องราวของหนุ่มดวงซวยกับแฟนสาว ที่กำลังขับรถมุ่งหน้าไปยังแคลิฟอร์เนีย ระหว่างทางเขาเผลอหลับในจนเกือบทำให้ตัวเองเกิดอุบัติเหตุ ว่าแล้วจิมจึงจอดรถแวะรับชายแปลกหน้าท่าทางอัธยาสัยดีที่กำลังโบกรถอยู่ขึ้นมาบนรถด้วย เขาแนะนำตัวเองว่าชื่อ จอห์น ไรเดอร์ ระหว่างที่คุยไปคุยมาจิมก็เริ่มรู้สึกบางอย่างที่ผิดปกติในตัวของผู้ชายคนที่เขาเพิ่งให้ขึ้นรถมา สุดท้ายทั้งสองก็ได้รู้ความจริงว่าที่แท้จอห์นก็คือฆาตกรต่อเนื่องสุดโรคจิต
Grindhouse combines Robert Rodriguez's Planet Terror, a horror comedy about a group of survivors who battle zombie-like creatures, and Quentin Tarantino's Death Proof, an action thriller about a murderous stuntman who kills young women with modified vehicles. It is presented as a double feature with fictitious exploitation trailers preceding each segment.
When six friends fly off on a weekend getaway and are suddenly plagued by engine trouble, they're forced to land on a remote island. Looking for shelter, they're grateful to encounter Ma and Pa and their children - an eccentric family living in the island's backwoods. But what begins as simple hospitality turns into a terrifying race for survival as the friends start disappearing one by one ... and turning up dead.