"Andremo in città" (We'll Go to the City) is a 1966 Italian drama film directed by Nelo Risi. It is based on the novel of the same name by Edith Bruck, Risi's wife. Bruck, a Hungarian concentration camp-survivor, settled in Italy after the Second World War and wrote about her experiences in autobiographical and fictional formats.[1] The film stars Geraldine Chaplin and Nino Castelnuovo.
Geraldine Chaplin
Lenka Vitas
Federico Scrobogna
Mischa Vitas, suo fratello
Nino Castelnuovo
Ivan, un partigiano
Aleksandar Gavrić
Ratko Vitas, il padre
Stefania Careddu
Eva
Giovanni Ivan Scratuglia
Nico, un partigiano
Slavko Simić
Dottore Kolarov
Mirko Milisavljević
Dusan Katanski
Milan Panić
"Andremo in città" (We'll Go to the City) is a 1966 Italian drama film directed by Nelo Risi. It is based on the novel of the same name by Edith Bruck, Risi's wife. Bruck, a Hungarian concentration camp-survivor, settled in Italy after the Second World War and wrote about her experiences in autobiographical and fictional formats.[1] The film stars Geraldine Chaplin and Nino Castelnuovo.
In Korea, on 6 September 1950, Lieutenant Benson's platoon finds itself isolated in enemy-held territory after a retreat. Soon they are joined by Sergeant Montana, whose overriding concern is caring for his catatonic colonel. Benson and Montana can't stand each other, but together they must get the survivors to Hill 465, where they hope the division is waiting. It's a long, harrowing march, fraught with all the dangers the elusive enemy can summon.
During the harrows of WWII, Jo, a young shepherd along with the help of the widow Horcada, helps to smuggle Jewish children across the border from southern France into Spain.
In the 1943 invasion of Italy, one American platoon lands, digs in, then makes its way inland to attempt to take a fortified farmhouse, as tension and casualties mount.
Based on the true story of Oberleutnant Franz von Werra, the only German prisoner of war captured in Britain to escape back to Germany during the Second World War.
Fr. Hugh O'Flaherty is a Vatican official in 1943-45 who has been hiding downed pilots, escaped prisoners of war, and Italian resistance families. His activities become so large that the Nazis decide to assassinate him the next time he leaves the Vatican.
In 1945, the dictator of fascist Italy and Hitler's close ally Benito Mussolini faces defeat. In a desperate attempt to avoid capture, he tries to flee the country with his lover Claretta Petacci, but Italian partisans are on their tail.
Based on the memoirs of author Curzio Malaparte, diplomatic liaison between the Allied and Italian forces after the defeat of the Nazis in Italy, The Skin follows the collapse of Italian society under the US occupation and the desperate measures required for survival.
ได้รับแรงบันดาลใจมาจากเรื่องจริง ซึ่ง เคยเป็นที่จับตามองของสื่อทั่วโลก พล ปืนคนสุดท้าย เป็นภาพยนตร์ชีวิตที่ทั้ง ซาบซึ้งและอบอุ่น ว่าด้วย อาร์ตี้ ครอว์ฟ อร์ด (เพียร์ซ บรอสแนน) ทหารผ่านศึก สงครามโลกครั้งที่สอง วัย 92 ปี กับอีก เก้าเดือน ที่ได้ข่าวจากบ้านพักคนชรา ของเขาว่ามีพิธีรำลึกครบรอบ 75 ปีที่ นอร์มังดี เมื่อเขาตั้งใจจะเข้าร่วม อาร์ตี้ ได้เสี่ยงวางแผนหนีออกจากบ้านพักคน ชรา และเดินหน้าสู่การเดินทางที่สร้าง แรงบันดาลใจครั้งสำคัญในชีวิตสู่ ฝรั่งเศส เพื่อแสดงความเคารพต่ออดีต กรมทหารของเขาเป็นครั้งสุดท้าย
Summer 1943, Piedmont, Italy. Milton loves Fulvia who plays with his love: she only likes the depth of his thought and the letters he writes to her. One year later, Milton has joined the Resistance and fights beside other partisans. He learns during a conversation that Fulvia was secretly in love with his best friend Giorgio, a partisan like him. Milton decides to go find Giorgio in the Langhe region of Italy with all its misty hills...But Giorgio has just been arrested by the Fascists.
Time after time, soldiers of the Italian Army are forced to leave their mountain trenches in attempts to storm an enemy fortress, always with the same disastrous results. As casualties mount, indignation spreads among the rank and file. Disturbed by his superiors' decisions, Lieutenant Sassu is led to question the purpose of war and reconsider where his real duties lie.