深夜食堂
A restaurant opens at midnight. Both the menu offerings and personality of the owner draw a series of flawed patrons including Tamako, whose boyfriend has passed away, live-in worker Michiru, and ruckus-raising Kenzo.
A restaurant opens at midnight. Both the menu offerings and personality of the owner draw a series of flawed patrons including Tamako, whose boyfriend has passed away, live-in worker Michiru, and ruckus-raising Kenzo.
Kaoru Kobayashi
Master
高岡早紀
Tamako Kawashima
มิคาโกะ ทาเบะ
Michiru Kuriyama
筒井道隆
Kenzo Oishi
โทคิโอะ เอโมโตะ
Hajime Nishida
余貴美子
Chieko Hanawa
菊池亜希子
Akemi Sugita
ยูโกะ ทะนะกะ
Machiko Tsukaguchi
オダギリジョー
Kogure
A restaurant opens at midnight. Both the menu offerings and personality of the owner draw a series of flawed patrons including Tamako, whose boyfriend has passed away, live-in worker Michiru, and ruckus-raising Kenzo.
> In the dark hours where everything's so alive. Based on the manga series of the same name. A movie about a chef, foods and his small restaurant that opens at midnight till the dawn. There are random scenes with fresh characters all along, but it also centres on a set of few particular characters to stabilise the development. Whatsoever the tale sticks around the restaurant and reveals every happenings, no matter what characters they are. A very fun, realistic, calm narration, with cool characters. Anyone slurping their food around me really annoys, but that's the way of pleasurably consuming food among the east Asians, especially that makes me my mouth-watering. So I suggest you better have some snacks with, at least you will have something with you while watching this delicious movie. Initially I did not know whose story it was, but a chef began to narrate his story by telling about his tiny restaurant located somewhere in the middle of partially both residential and commercial areas. And his unique customers with their stories that definitely gets our attention. In the meantime a young female character was introduced who is going to be a prime focus for the rest of the film that told alternately with other small happenings around. > "Don't let your tears enter the stew pot. Tears is salt after all. It will change the taste." I'm not sure whether it was the great performances or the writing and direction that brought a soul to it, but overall it was so simple and very likeable film that looks like kind of everything worked so finely. Of course the cultural influence was a big impact. The society, its people with their state of mind and lifestyle - totally moving. Other than the whaling, I don't see the reasons to I hate this beautiful country and its people. I think that's why I loved this film like usual and it is one of my favourite film industry. Impressive, how the customers respect their chef by calling him master. I have seen the actor who played that important role in the movie 'Quill'. He was excellent in this with his casual effort. There's no way to predict anything from the movie. It would be like you go and sit in a small restaurant near you for a whole day, interacting with every customer who gets in with their story of the day with all kinds of moods, that's how watching this film feels like with surprises. Those who read the original manga and those who saw the television series might have reason to compare with this to bring some positive and negative points, but as I'm not familiar with other material, I ended with very happy for this. The runtime really scared me, but once sat for it, I spent those two hours without any trouble. This kind of storytelling really suits for television to split into plenty of episodes, but the movie was equally amazing and can be compared to any top movies related to 'food, chef and restaurant' themes. This was a great drama with fine humours. I want to suggest it and I surely do, especially for those who love drama films with a moderate pace. 8/10
The master of a dorayaki pastry store hires a 76-year-old woman whose talents attract customers from all over. But she's hiding a troubling secret. Life's joys are found in the little details, and no matter what may be weighing you down, everyone loves a good pastry.
Masato is a young ramen chef in Japan. When he finds his late mother's journal after the sudden death of his emotionally distant father, he takes it with him to her native country, Singapore, hoping to piece together the story of his family and his life.
In a distinctly contemporary Tokyo that looks backwards to the city’s disappearing past, Yoko is a writer investigating the life of a modernist composer of the 1930s. She is pregnant by a man she does not want to marry and has found a kindred spirit in a used bookstore owner who aids her research.
Ichiko bakes a cake for an end-of-year party with her friends. In the depths of winter, making mochi and curry keeps the people of Komori warm. Later, spring brings thoughts of her absent mother as well as rice planting and sakura, and she begins to think of leaving Komori behind again.
Fleeing heartbreak in the big city, Ichiko returns to Komori, her rural hometown. She battles summer's rain and humidity, bakes her own bread, grows hothouse tomatoes and tills the fields. During autumn, the time for pickling and preserving fish and sweet potatoes, Ichiko begins reaping rice and recalls her departure five years before.
Kiyoha rises from the lowly courtesan ranks to the high class position of Oiran in the steamy red-light district of Yoshiwara. She is determined to stand on her own two feet and live life as she pleased.
Years of working in the food industry have made Juana, a working-class Latina, a chef of speed and skill. Searching for financial stability, she stumbles into a high-energy, male-dominated Japanese cuisine kitchen. The new atmosphere re-ignites her passions for food and life and makes her hungry to get mixed up in the flavors of this new world.
Buddies working at an oshibori factory bond over an uncontrollable rage neither can control, as well as a strange jellyfish they keep as a pet.
นักเรียน ม.ปลายสองคนค้นพบความหวังขณะที่พวกเขาพยายามปกป้องไม่ให้คลับเฮาส์เก่าแก่จากยุคสงครามถูกทำลายในระหว่างที่กรุงโตเกียวกำลังเตรียมตัวเป็นเจ้าภาพโอลิมปิกปี 1964
ในปี 2012 อัตสึยะและเพื่อนสมัยเด็กอีก 2 คนทำเรื่องเลวร้ายและบังเอิญไปเจอร้านขายของเก่า พวกเขาจึงตัดสินใจอยู่ที่นั่นจนถึงเช้า ดึกดื่นในคืนนั้น อัตสึยะเห็นจดหมายในตู้ไปรษณีย์ จดหมายนั้นส่งถึงร้านขายของทั่วไปนามิยะ และจดหมายนั้นเขียนโดยใครบางคนเพื่อปรึกษาเกี่ยวกับเรื่องกังวลใจ น่าเหลือเชื่อที่จดหมายนั้นเขียนขึ้นเมื่อ 32 ปีที่แล้ว กล่องจดหมายนั้นเชื่อมโยงกับปี 1980 ได้อย่างไรก็ไม่รู้ อัตสึยะและเพื่อนๆ ตัดสินใจเขียนจดหมายตอบกลับและใส่จดหมายของพวกเขาไว้ในตู้ไปรษณีย์