Gunmen from Laredo
"Hell Bent for Vengeance!"
A framed Texas rancher escapes from prison for a showdown with a saloonkeeper.
"Hell Bent for Vengeance!"
A framed Texas rancher escapes from prison for a showdown with a saloonkeeper.
Robert Knapp
Gil Reardon
Walter Coy
Ben Keefer
Paul Birch
Marshal Matt Crawford
Don C. Harvey
Deputy Dave
Clarence Straight
Deputy Frank Ross
Jered Barclay
Jordan Keefer
Ron Hayes
Walt Keefer
Charles Horvath
Coloradas
Jean Moorhead
Katy Reardon
A framed Texas rancher escapes from prison for a showdown with a saloonkeeper.
And the devil wind will come. Gunmen from Laredo is directed by Wallace MacDonald and written by Clark E. Reynolds. It stars Robert Knapp, Jana Davi, Walter Coy, Paul Birch and Don C. Harvey. Out to avenge the murder of his wife and friend, Gil Reardon (Knapp) hurries into Laredo to confront the culprits. Forced to draw on one of the thugs, Gil is set up for murder and sent to prison. Escaping, he meets up with a Mescalero woman who aids him on is journey through the wilderness. If they can survive the terrain and Indian attacks? Then Gil is heading back to Laredo to clear his name and get his revenge. Straight from the bottom rung of the “B” Western ladder, is this Columbia offering filmed in Columbia Color no less! It’s a poor effort, a basic case of film makers stringing a number of scenes together to pad out a movie. The acting is poor, the set design around the town of Laredo is hardly convincing, while the location photography around Bronson Canyon is decidedly flat. However, I find myself in the unusual situation of having watched a bad Western yet feel the need to grudgingly admire it! MacDonald and Reynolds cram all they can into their picture. Shoot-outs, prison escape, chases, fist fights, sandstorm and a smouldering romance in waiting. The choreography isn’t up to much, mind, but the sheer gusto and willingness to entertain is to be applauded. It’s the sort of Oater that Dad can plonk the kids in front of the TV and know they will have fun and be occupied, while he sits in his armchair relaxing with a glass of wine. 4/10
ผลงานการกำกับของ Fred Zinnemann บอกเล่าเรื่องราวของนายอำเภอคนหนึ่งที่กล้าออกปะทะกับจอมโจรนักฆ่าที่เขาเคยเนรเทศเมื่อหลายปีก่อนแม้ภรรยารวมถึงประชาชนจะไม่เห็นด้วย แต่ในเวลาเที่ยงวันตรงใครจะอยู่ใครจะไปก็จะได้รู้กัน
Blaise Starrett is a rancher at odds with homesteaders when outlaws hold up the small town. The outlaws are held in check only by their notorious leader, but he is diagnosed with a fatal wound and the town is a powder keg waiting to blow.
Will Tenneray and Abe Cross are two aging, famous gunfighters, both in need of money. Tenneray comes up with the idea to stage a duel to the death in a bullfight arena, with the ticket proceeds going to the winner.
Searching for a doctor who can help him get his son to speak again--the boy hadn't uttered a word since he saw his mother die in the fire that burned down the family home--a Confederate veteran finds himself facing a 30-day jail sentence when he's unfairly accused of starting a brawl in a small town. A local woman pays his fine, providing that he works it off on her ranch. He soon finds himself involved in the woman's struggle to keep her ranch from a local landowner who wants it--and whose sons were responsible for the man being framed for the fight.
Jim Douglass arrives in the small town of Rio Arriba in order to witness the hanging of the four men he believes murdered his wife. When the convicts escape, Jim tracks them into Mexico, determined to see that justice is done. But the farther Jim goes in his quest for vengeance, the more merciless he becomes, losing himself in an unrelenting spiral of hatred and violence.
มือปืนชาวอเมริกันผู้โชกโชนถูกขัดขวางซ้ำแล้วซ้ำเล่าในการพยายามที่จะเผชิญหน้าในเมืองมิตรแห่งหนึ่งในแคนาดา ซึ่งดูเหมือนว่าไม่มีใครเข้าใจหรือชื่นชมกฎเกณฑ์อันโหดร้ายของอเมริกันไวลด์เวสต์
The fastest gun in the West tries to escape his reputation.
A man and his partner arrive at a small Western town to kill its most powerful man because the former blames him for his wife's death.
A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.
During the war for Texas independence, one man leaves the Alamo before the end (chosen by lot to help others' families) but is too late to accomplish his mission, and is branded a coward. Since he cannot now expose a gang of turncoats, he infiltrates them instead. Can he save a wagon train of refugees from Wade's Guerillas?