From one day to the next, Anna, a millionaire's wife from Hamburg, is left with nothing: her husband has absconded with a fraudulent loan and a young mistress. Anna returns to Vienna, where a wealthy friend leaves her her fruit stall at the famous Naschmarkt. However, the sleazy Charly also has his eye on the property. Only Bernhard, a former chamber singer, sticks by Anna, but he too is on Charly's payroll.
Christiane Hörbiger
Anna Ewald-Klahsen
Friedrich von Thun
Bernhard Jeschke
Erwin Steinhauer
Charly Seckar
Petra Morzé
Maria Fichtner
Simon Morzé
Benni Fichtner
Anna Mertin
Frau Bruckner
Susi Stach
Liesi Schäuber
Bernd Birkhahn
Spannberger
Rainer Frieb
Horst
From one day to the next, Anna, a millionaire's wife from Hamburg, is left with nothing: her husband has absconded with a fraudulent loan and a young mistress. Anna returns to Vienna, where a wealthy friend leaves her her fruit stall at the famous Naschmarkt. However, the sleazy Charly also has his eye on the property. Only Bernhard, a former chamber singer, sticks by Anna, but he too is on Charly's payroll.
In 1933 in Berlin. Anna is only nine years old when her life changes from the ground up. To escape the Nazis, her father Arthur Kemper, a well-known Jewish journalist, has to flee to Zurich. His family, Anna, her twelve-year-old brother Max and her mother Dorothea, follow him shortly thereafter. Anna has to leave everything behind, including her beloved pink rabbit, and to face a new life full of challenges and privations abroad.
In revolutionary Iran, as fundamentalists tighten their grip on society, a professor secretly gathers seven of her most dedicated female students to read and discuss forbidden classics of Western literature, including Lolita and Pride and Prejudice. Based on the bestselling memoir by Azar Nafisi. A film by Eran Riklis starring Golshifteh Farahani (Paterson), Zar Amir (Holy Spider), and Mina Kavani (No Bears).
South America, 1960. A lonely and grumpy Holocaust survivor convinces himself that his new neighbor is none other than Adolf Hitler. Not being taken seriously, he starts an independent investigation to prove his claim, but when the evidence still appears to be inconclusive, Polsky is forced to engage in a relationship with the enemy in order to obtain irrefutable proof.
ในเอเลนอร์ผู้ยิ่งใหญ่ จูน สควิบบ์ ถ่ายทอดบทบาทของเอเลนอร์ มอร์เกนสตีน หญิงวัย 94 ปี ผู้มีไหวพริบและภูมิใจในความแสบของตัวเองออกมาได้อย่างมีชีวิตชีวา หลังเผชิญกับความสูญเสียใหญ่หลวง เธอได้เล่าเรื่องที่เกิดบานปลายจนเป็นอันตราย นี่คือผลงานกำกับเรื่องแรกของสการ์เล็ตต์ โจแฮนส์สัน เป็นการสำรวจที่ทั้งขบขันและสะเทือนใจ ว่าเรื่องราวที่เราได้ฟังกลายมาเป็นเรื่องราวที่เราเล่าต่อได้อย่างไร เพิ่มเติม พ.ศ. 2568 · 1h 38m 66%
An optimistic, talented teen clings to a huge secret: she's homeless and living on a school bus. When tragedy strikes, can she learn to accept a helping hand?
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Andrew Crocker-Harris has been forced from his position as the classics master at an English public school due to poor health. As he winds up his final term, he discovers not only that his wife, Millie, has been unfaithful to him with one of his fellow schoolmasters, but that the school's students and faculty have long disdained him. However, an unexpected act of kindness causes Crocker-Harris to re-evaluate his life's work.
Jamie Fitzpatrick and Nona Alberts are two women from opposites sides of the social and economic track, but they have one thing in common: a mission to fix their community's broken school and ensure a bright future for their children. The two women refuse to let any obstacles stand in their way as they battle a bureaucracy that's hopelessly mired in traditional thinking, and they seek to re-energize a faculty that has lost its passion for teaching.
Back from a tour of duty, Kelli struggles to find her place in her family and the rust-belt town she no longer recognizes.
On a whim, a greedy tycoon decides to corner the world market in wheat. This doubles the price of bread, forcing grain producers into charity lines and others further into poverty. The film contrasts the differences between the lives of those who work to grow the wheat and the life of the man who dabbles in its sale for profit.