Les blessures assassines
"It wasn't just a crime. It was a crime of passion."
Based on the true story of two chambermaids of 1930s France who murdered their employer and her daughter.
"It wasn't just a crime. It was a crime of passion."
Based on the true story of two chambermaids of 1930s France who murdered their employer and her daughter.
Julie-Marie Parmentier
Léa Papin
ซิลวี เทสทัด
Christine Papin
Isabelle Renauld
Clémence
François Levantal
le Gazé
Dominique Labourier
madame Lancelin
Jean-Gabriel Nordmann
monsieur Lancelin
Marie Donnio
Geneviève Lancelin
Lily Boulogne
Alberta
Based on the true story of two chambermaids of 1930s France who murdered their employer and her daughter.
Just as the mystery of Jack the Ripper continues to grip the English imagination, the case of the Papin sisters of Le Mans — two maids who, in 1933, brutally slaughtered their employer and her daughter — holds a peculiar sway over the French. Jean Genet used the ghastly events as the basis for his celebrated one-act play "The Maids," while the cream of France's intelligentsia, from Jean-Paul Sartre and Simone de Beauvoir to Jacques Lacan, have searched for answers to the questions raised by the Papins' bizarre crime. Jean-Pierre Denis's scorching film — one of the most harrowing true-crime dramas since IN COLD BLOOD — is the latest treatment of the subject, and it's one of the most thorough. Based on the minutes of the sensational trial, selected first-hand accounts and Paulette Houdyer's authoritative book, L'Affaire Papin, the film touches on all the aspects of the case that continue to make it such a fascinating subject: forbidden sexuality, psychosis, class resentment, familial discord, gender oppression, and a tragic case of folie à deux that ended in 30 minutes of sheer savagery. Bringing it all to life is a devastating performance by Sylvie Testud as the high-strung, psychotic Christine Papin, one of four daughters born in poverty to a difficult mother and a hard-drinking, sexually abusive father. Reunited with her younger, far more impressionable sister, Lea (Julie-Marie Parmentier), after childhoods spent in separate orphanages or with relatives, Christine is pressed into service as a housemaid for various bourgeois families. When possible, Christine persuaded her employers to hire Lea as well. Consumed by paranoid delusions, Christine begins to unravel. She's certain that her hated mother is conspiring to take Lea away, her increasingly unhealthy attachment to Lea becomes carnal, and the deep-seated resentment she feels towards their latest employer, Madame Lancelin (Dominque Labourier), begins to chafe and then fester. Christine becomes a walking time bomb that finally explodes in a display of appalling violence. Thanks to Testud's tightly controlled performance, Christine's psychic collapse is just as frightening as the crime she and Lea commit, and Denis does little to cushion viewers from the horror; he doesn't even provide a musical soundtrack. Nearly 75 years after the fact, the matter still hasn't given up all its secrets, but Denis's film comes close to a definitive, deeply disturbing account.
A true story of shocking violence catapults a picturesque little town into history. The close sibling relationship between the two maids takes on a new dimension as their overbearing employer discovers a sexual fever between the two sisters.
Paris, France, during the First World War. While thousands of soldiers die every day on the battlefields, Henri Landru, a seemingly respectable furniture dealer, married and father of four children, relentlessly feeds his own sinister factory of death.
ทหารสาวแดนน้ำหอมถูกส่งตัวกลับบ้านหลังประสบเหตุสะเทือนขวัญระหว่างปฏิบัติหน้าที่ เธอจะใช้ทักษะระดับพระกาฬเพื่อตามล่าคนที่กล้ามาทำร้ายน้องสาว
A disturbed, aging Southern belle moves in with her sister for solace — but being face-to-face with her brutish brother-in-law accelerates her downward spiral.
Marie has had a tough childhood ever since her mother Elisa committed suicide. She has spent most of her life in an orphanage and now makes a living as a small time criminal in Paris. Now she wants to unravel her past and find her father whom she blames for her mother's death.
Based on the internationally-acclaimed play by Colette Freedman, the story of 4 estranged sisters who reunite for their mother’s alleged suicide.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
Set in a magnificent villa near a sun-drenched St. Tropez, lovers Jean-Paul and Marianne are spending a happy, lazy summer holiday. Their only concern is to gratify their mutual passion - until the day when Marianne invites her former lover and his beautiful teenage daughter to spend a few days with them. From the first moment, a certain uneasiness and tension begin to develop between the four, which soon escalates in a dangerous love-game.
Jean and Otto, a French newspaperman and a young German Francophile, are fighting for peace in Europe. Jean’s daughter, Corinne, is launching a brilliant acting career in the film world, but war breaks out and France is occupied. The two friends have a major role to play in this new France. Jean becomes a big press baron and an ardent advocate of collaboration with the occupying forces, while Otto becomes the Reich’s ambassador in Paris. Corinne, meanwhile, finds herself thrown into the lion’s pit.
Lyons, France. Michel Descombes is a watchmaker who lives alone with his teenage son Bernard. When the police visit and informs him that Bernard killed a man and is on the run with a girl, Michel realizes that he knew far less about his son than he thought.