世界はときどき美しい
Five short stories of life's joys and sorrows are brought together in this omnibus drama from Japan.
Five short stories of life's joys and sorrows are brought together in this omnibus drama from Japan.
松田龍平
Shuichi
浅見れいな
Tomoko
柄本明
Haeo
มิคาโกะ อิจิคาวะ
Kanoko
片山瞳
Mayumi
木野花
Shizue
松田美由紀
Noe
尾美としのり
Customer
遠山景織子
Hostess
Five short stories of life's joys and sorrows are brought together in this omnibus drama from Japan.
Drama telling the story of Blue, a young man of Jamaican descent living in Brixton in 1980, as he hangs out with his friends, fronts a dub sound system, loses his job, struggles with family problems and has his friendships tested by racism.
While serving life in prison, a young man looks back at the people, the circumstances and the system that set him on the path toward his crime.
In a small village in a valley everyone who reaches the age of 70 must leave the village and go to a certain mountain top to die. If anyone should refuse they would disgrace their family. Old Orin is 69. This winter it is her turn to go to the mountain. But first she must make sure that her eldest son Tatsuhei finds a wife.
Gentle and broken, a homeless man fights others on video for money but soon finds comfort in an unlikely friend and the lost diary of a young girl.
วัยรุ่นต้องเผชิญกับการต่อสู้ที่ยากลำบากเมื่อเธอต้องต่อสู้เพื่อให้ผู้หญิงมีโอกาสได้เล่นฟุตบอลแข่งขัน
After being used and betrayed by the detective she had fallen in love with, young Matsu is sent to a female prison full of sadistic guards and disobedient prisoners.
ภายหลังพ้นโทษจากเรือนจำ ซึสึโกะ สัมผัสได้ว่าผู้คนรอบข้างต่างมองเธอแบบไม่ไว้ใจ เธอรู้สึกผิดหวังและตัดสินใจออกเดินทางด้วยความรู้สึกเจ็บปวด พร้อมกับตั้งกฎให้กับตัวเองว่า จะออกเดินทางไปยังเมืองอื่น ๆ ทันทีที่เก็บเงินได้ครบหนึ่งล้านเยน การเดินทางของเธอในครั้งนี้เสมือนการค้นหาตัวตน พร้อม ๆ กับกอบกู้เศษซากชีวิตที่เคยทำหล่นหายไปในอดีต เพื่อเรียนรู้ที่จะไว้ใจคนอื่นอีกครั้ง
A director faces creative block while working on his latest film – a reimagination of his adolescence growing up in a mountain village in rural Japan.
Based on the writer/director's childhood, FARMING tells the story of a young Nigerian boy, 'farmed out' by his parents to a white British family in the hope of a better future. Instead, he becomes the feared leader of a white skinhead gang.
Nami is once again on the run from the law but is saved by an old classmate who works at a strip club. Through a subsequent conversation they discover they both have a score to settle with a particular crooked cop. However, Nami has doubts about ever trusting a man.