Saltburn

เรื่องย่อ

เอเมอรัลด์ เฟนเนลล์ นักสร้างภาพยนตร์ผู้ชนะรางวัลออสการ์ นำเสนอเรื่องราวที่ร้ายกาจอย่างงดงามของความมีอภิสิทธิ์และความปรารถนา เมื่อโอลิเวอร์ ควิก (แบร์รี คีโอกัน) นักศึกษาผู้รู้สึกแปลกแยกจากคนอื่นๆ ในมหาวิทยาลัยออกซ์ฟอร์ดถูกดึงดูดเข้าไปในโลกของฟีลิกซ์ แคตตัน (เจค็อบ เอลอร์ดี) หนุ่มชนชั้นสูงเจ้าเสน่ห์ที่ชวนเขาไปซอลต์เบิร์น คฤหาสต์หรูหราของครอบครัวแสนประหลาดของตนในช่วงฤดูร้อนที่เขาจะไม่มีวันลืม

คะแนน

8 รีวิว

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  Chandler Danier

  8 27 ธ.ค. 2566

  Has a case of the samesies on the final chapter. I think we get it. I liked the people. Fun characters outside of you know who. Does anyone really say the vampire line? Great character reveal in the slurp. For me, the explanation station took away from the experience. Feels sloppier the more you see. But then you see it all. Giant slopfest.

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  dumasori

  7 1 ม.ค. 2567

  **Overall** **Entertaining** This movie was a refreshing experience. Well directed with tight plot. Leaving the viewer always wondering what’s going to happen next? There are some potholes and forced nudity (incongruent), but the good plot makes up for these minor shortcomings. Overall, I enjoyed this movie 7/10

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  BornKnight

  8 2 ม.ค. 2567

  Black comedy / psychological drama of Amazon, directed and written by Emerald Fennell (from the magnificent promising Young Woman and Barbie). This one is a bit tricky one to review without spoilers so if want to see the review stop right here. It tells a story about the scholarship student Oliver Quick (Barry Keoghan) early in the 2000 that struggle to be accepted into the high class Oxford University. He manages to met Felix Catton (Jacob Elordi) a popular student and befriends it being closer and closer in friendship with him, till he shares his sad family story background. Then he is invited to be at vacations at Saltburn, an magnificent summer place in the fields of England where he meets the eccentric and decadent family of Felix, Rosamund Pike (Lady Elspeth Catton, Felix's mother), Richard E. Grant (as Sir James Catton, Felix's father), Alison Oliver (as Venetia Catton, Felix's sister) and Archie Madekwe (as Farleigh Start, Felix's annoying cousin). With a solid production structure with cinematography by Linus Sandgren (I must highlight this one how it works adjusting to the mood of the unfolding story), edition by Victoria Boydell and music by Anthony Willis, the movie have it greatest merit in an area that Fennel already showed before - the script. Simplifying all things the story that have some sordid sex scenes and gives hints that Ollie isn't so nice in the head as he seems, it develops almost like Promising Young Woman, to a revelling ending of a serial killer and social alpinist in the last 30min of the movie. Not something that we wouldn't foresee by the attitudes of the protagonist and background of the director / writer but nice anyway. So much that seems that I enjoyed it more than most of the people I follow. Guess that we maybe have another contender for Academy nomination of screenplay, director and acting here. A Solid 7.9 out of 10.0 / B+ here.

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  Amin

  8 13 ม.ค. 2567

  **It's been a long while since I stumbled upon a film that wasn't painfully predictable.** What struck me the most was this bizarre yet fascinating connection I developed with a psychopath. It sounds odd, but the film masterfully reels you into this vortex of the character's emotions and psyche. And then, somewhere along the line, it cleverly severed this connection, leaving me... adrift. However, what really resonated with me was the cinematography. The camera work, grading, lighting – everything seemed meticulously crafted to enhance the narrative and the mood of the film. There were moments where I was simply awe-struck by the beauty of a single shot. Worth watching.

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  r96sk

  9 17 ม.ค. 2567

  I'm disturbed. Outstandingly disturbed, mind you. It is very out there as it features some uncomfortable moments, but that's never a bad thing if it's done right... and boy is it here. The film does an excellent job at making it all fit, which is actually quite impressive. Main plot-wise, it's not a hard one to predict... or at least not quite as unpredictable as the film possibly thinks it is based on the 'reveals' (?) at the end, but again: never a bad thing if done correctly. The main takeaway from all this is certainly the unsettling stuff. This 2023 production also holds fantastic cast performances. Barry Keoghan is top notch, I've seen various people online rave about him as an actor but I hadn't really seen it until now. Jacob Elordi merits praise too, as does Rosamund Pike - another one I haven't previously been too keen on, though she is fun here. In fact, on paper it's an iffy cast to me. In reality, the cast are perfect. Credit also to Richard E. Grant, Alison Oliver and Archie Madekwe. No doubt, 'Saltburn' is a great movie! A must-watch, I'd say. Emerald Fennell is two for two with me now, after I also highly enjoyed 'Promising Young Woman' (same rating, fwiw).

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  Crazypiglady

  9 21 ม.ค. 2567

  I'd seen this film advertised at my local cinema but written it off as the description, in not giving anything away, sounded like Brideshead re-revisited. Then having heard some hype I couldn't see how it could be rated 15. But you know how in films, people would kiss, then suddenly be lying in bed smoking; as adults, we’ve been there, and we know they’ve just had sex, but how could a censor or anyone argue with what was actually shown. If you watch ‘The Good Place’ or ‘The Simpsons’, there are parts where you laugh along with the writers but you know it’ll go over kids’ heads. This was definitely a 15 in what it showed but I blushed at what was inferred. Having heard of ‘the bath scene’ or the ‘graveyard scene’, I was concerned, and more surprised by the 'vampire' scene and that the necrophilia actually occurred elsewhere. Or was that just my perverse adult imagination!