Frank (Miller) is a gay journalist who goes undercover at the urging of his therapist boyfriend Jonathan (Provenza) to write an exposé of Dr. Apsey (Butler). Apsey performs conversion therapy on gay male clients, a practice which Jonathan finds reprehensible. Frank quickly comes clean with Apsey but continues to meet with him under the pretense of interviewing him, but finds himself questioning himself, Jonathan and their six-year relationship.
Dan Butler
Dr. Arthur Apsey
Andrew Elvis Miller
Frank Johnston
Paul Provenza
Dr. Jonathan Baldwin
Andrew Gitzy
Shop Clerk
Claudia Schneider
Shop Patron
Perfecto
Doorman
Ken Hanes
Market Clerk
Adam Hunt
Market Patron
Arlynn Wilson
Market Patron
Frank (Miller) is a gay journalist who goes undercover at the urging of his therapist boyfriend Jonathan (Provenza) to write an exposé of Dr. Apsey (Butler). Apsey performs conversion therapy on gay male clients, a practice which Jonathan finds reprehensible. Frank quickly comes clean with Apsey but continues to meet with him under the pretense of interviewing him, but finds himself questioning himself, Jonathan and their six-year relationship.
Does “Frank” need fixing? Well if he does, he’s not the only thing as this really far-fetched and contrived drama unfolds. He (Andrew Elvis Miller) is a patient of psychologist “Dr. Aspley” (Dan Butler) who is ostensibly trying to suggest that he can essentially talk his patient out of his homosexuality. What we quickly discover is that his boyfriend “Dr. Baldwin” (Paul Provenza) is a man out to wreck the career of his fellow physician and aspiring journalist “Frank” is the tool he intends to use to prove his assertions of professional malpractice. Now, aside from the interesting aspects of the nature/nurture debate that could have been advanced by this scenario of conflicted approaches to sexuality and associated clinical assessing, this film is poorly acted and written with some frankly hair-raisingly simplistic assertions made using a cinematic technique that was akin to “Frank” having a devil on each shoulder. I wouldn’t bother with this, sadly, it’s a solid idea but messily executed and has the look more of a low-budget soap than a poignant drama to it.
The relationship of a couple who meet by chance in New York City is put to the test when they encounter a life or death circumstance.
In revolutionary Iran, as fundamentalists tighten their grip on society, a professor secretly gathers seven of her most dedicated female students to read and discuss forbidden classics of Western literature, including Lolita and Pride and Prejudice. Based on the bestselling memoir by Azar Nafisi. A film by Eran Riklis starring Golshifteh Farahani (Paterson), Zar Amir (Holy Spider), and Mina Kavani (No Bears).
ในเอเลนอร์ผู้ยิ่งใหญ่ จูน สควิบบ์ ถ่ายทอดบทบาทของเอเลนอร์ มอร์เกนสตีน หญิงวัย 94 ปี ผู้มีไหวพริบและภูมิใจในความแสบของตัวเองออกมาได้อย่างมีชีวิตชีวา หลังเผชิญกับความสูญเสียใหญ่หลวง เธอได้เล่าเรื่องที่เกิดบานปลายจนเป็นอันตราย นี่คือผลงานกำกับเรื่องแรกของสการ์เล็ตต์ โจแฮนส์สัน เป็นการสำรวจที่ทั้งขบขันและสะเทือนใจ ว่าเรื่องราวที่เราได้ฟังกลายมาเป็นเรื่องราวที่เราเล่าต่อได้อย่างไร เพิ่มเติม พ.ศ. 2568 · 1h 38m 66%
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