Встречный Backdrop Blur
Встречный Poster
5.0 1h 55m

Встречный

The story of an effort to catch "wreckers" at work in a Soviet factory. The film’s title-song called "The Song of the Counterplan", composed by Dmitri Shostakovich, became world famous and was adapted into "Au-devant de la vie", a notable song of the French socialist movement of the 1930s.

นักแสดงนำ

  • Владимир Гардин

    Владимир Гардин

    Babchenko

  • Мария Блюменталь-Тамарина

    Мария Блюменталь-Тамарина

    Babchikha

  • Татьяна Гурецкая

    Татьяна Гурецкая

    Katya

  • Андрей Абрикосов

    Андрей Абрикосов

    Pavel

  • Борис Тенин

    Борис Тенин

    Vasya

  • Борис Пославский

    Борис Пославский

    Skvorzov

  • Mariya Pototskaya

    Mariya Pototskaya

    Ego mat (as M. Pototskaya)

  • Леонид Алексеев

    Леонид Алексеев

    Direktor zavoda (as A. Alekseev)

  • Николай Козловский

    Николай Козловский

    Lazarev

เรื่องย่อ

The story of an effort to catch "wreckers" at work in a Soviet factory. The film’s title-song called "The Song of the Counterplan", composed by Dmitri Shostakovich, became world famous and was adapted into "Au-devant de la vie", a notable song of the French socialist movement of the 1930s.

คะแนน

5.0 / 10
10 รีวิว
0 ยอดนิยม

ภาพยนตร์แนะนำ

My Joy

Georgy is driving a load of freight into Russia when, after an unpleasant encounter with the police at a border crossing, he finds himself giving a lift to a strange old man with disturbing stories about his younger days in the Army. After next picking up a young woman who works as a prostitute and is wary of the territory, Georgy finds himself lost, and despite asking some homeless men for help, he’s less sure than he was before of how to make his way back where he belongs. As brutal images of violence and alienation cross the screen, Georgy’s odyssey becomes darker and more desperate until it reaches an unexpected conclusion.

My Joy

6.3 2010
Salomé

After the lewd and frenetic Dance of the Seven Veils, and with the solemn pledge from the very lips of Herod himself that she could have whatever her heart desires up to half his kingdom, wanton and proud young Salomé comes before her king with an unreasonable demand. Beguiled by John the Baptist, and then scorned for the sake of his god, lascivious Salomé—encouraged by her mother, the vindictive, Herodias—commands that John be executed and his head delivered on a silver platter.

Salomé

6.2 2013
Flights in Dreams and in Reality

On the eve of his fortieth anniversary Sergei Makarov looks back at his life and learns that he has achieved nothing. He was not able to be happy and to bring happiness to the closest people in his life, neither to his long-suffering wife nor young mistress nor friends nor work... It is about the men who never grew up and could not find themselves in the time of stagnation – gifted, charming, but infantile and lost, they never were able to realize themselves...

Flights in Dreams and in Reality

6.5 1983
The Effect of Gamma Rays on Man-in-the-Moon Marigolds

Middle-aged widow Beatrice Hunsdorfer and her daughters Ruth and Matilda are struggling to survive in a society they barely understand. Beatrice dreams of opening an elegant tea room but does not have the wherewithal to achieve her lofty goal. Epileptic Ruth is a rebellious adolescent, while shy but highly intelligent and idealistic Matilda seeks solace in her pets and school projects, including one designed to show how small amounts of radium affect marigolds.

The Effect of Gamma Rays on Man-in-the-Moon Marigolds

7.3 1972
1

Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.

1

6.7 2020