On the Town
"They Paint The Town With Joy!"
Three sailors wreak havoc as they search for love during a whirlwind 24-hour leave in New York City.
"They Paint The Town With Joy!"
Three sailors wreak havoc as they search for love during a whirlwind 24-hour leave in New York City.
Gene Kelly
Gabey
แฟรงก์ ซินาตรา
Chip
Betty Garrett
Brunhilde Esterhazy
Ann Miller
Claire Huddesen
Jules Munshin
Ozzie
Vera-Ellen
Ivy Smith
Florence Bates
Madame Dilyovska
Alice Pearce
Lucy Schmeeler
George Meader
Professor
Three sailors wreak havoc as they search for love during a whirlwind 24-hour leave in New York City.
Wonderful town gets a wonderful movie. As would be tradition, the story at the core of On the Town isn't anything to sing from the roof tops, but it plays out as one of MGM's most memorable slices of froth. Propelled by talented stars and singers, it's a musical of comedic delights. Adapted from the successful stage production, charges of being dated and that not all the songs are great, is correct. The dated thing is not always a viable debating tool, but certain stereotype and sexist elements here will ring a little hollow with some folk. Yet if you can just run with it and accept the era of film making it comes from, then this is mostly a joyous and uplifting picture. So roll with the boys and girls, with the wonderful dances and the wonderful singing, for New York New York, A Wonderful Town. 8/10
That old expression about things not being broken not needing fixing springs to mind with this. Messrs. Sinatra, Kelly (who co-directed) and Munshin don their naval uniforms for a 24 hour pass in the Big Apple. Once there, they fall for a pretty diverse trio of dames - Betty Garrett, Ann Miller and Vera-Allen and with the fabulous musical talents of Green/Comden and Bernstein at the helm, we have the perfect ingredients for a day no-one will ever forget. The plot is pretty straightforward, but the musical numbers notably "New York, New York", "On the Town" and "I Can Cook Too" alongside some perfectly choreographed dance sequences give this adaptation of the 1944 Broadway musical more than a splash of style and class. The whole thing is well paced, the characters (though hardly what you might call "developed") are fun and engaging - especially the really almost "cute" Frank Sinatra - as they (and we) enjoy their whirlwind romantic tour. On the downside, the story could do with being just a smidge more substantial and there are maybe just a little too many sound stage performances that do sterilise the charm just a little, but I'm splitting hairs - it's well worth a watch if you like the broadway musical at it's best.
Two sailors on shore leave head out for four days of partying – only to become involved in the affairs of an aspiring singer and her precocious nephew.
เดนี่ มารูน นักดนตรีและคนงานท่าเรือตั้งใจที่จะจัดงานเทศกาลดนตรีโดยฝ่าฝืนผลประโยชน์ของเจ้าของโรงงานในท้องถิ่น
A Broadway artiste turns a faded film star's comeback vehicle into an artsy flop.
ทหารทัลซา แมคลีน ซึ่งประจำการอยู่ที่เยอรมนีตะวันตก หวังที่จะเปิดไนท์คลับเมื่อปลดประจำการออกจากกองทัพ ทัลซาอาจไม่มีเงินทุนสำหรับการลงทุนดังกล่าว แต่เขาก็มีโอกาสหาเงินมาได้จากการพนันเล็กๆ น้อยๆ นักเต้นท้องถิ่น ลิลี่ (จูเลียต พราวส์) เป็นราชินีน้ำแข็งที่ฉาวโฉ่ และทัลซาก็ยอมเดิมพันทุกสิ่งที่เขามีว่าเพื่อนของเขาสามารถหาความรักจากเธอได้ แต่เมื่อเพื่อนคนนั้นถูกส่งไปที่อลาสก้า ทัลซาก็ต้องทำให้หัวใจของลิลี่ละลาย
Whatever Works explores the relationship between a crotchety misanthrope, Boris and a naïve, impressionable young runaway from the south, Melody. When Melody's uptight parents arrive in New York to rescue her, they are quickly drawn into wildly unexpected romantic entanglements. Everyone discovers that finding love is just a combination of lucky chance and appreciating the value of "whatever works."
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On the set of a playwright's new project, a love triangle forms between his wife, her ex-lover, and the call girl-turned-actress cast in the production.
Cecilia is a waitress in New Jersey, living a dreary life during the Great Depression. Her only escape from her mundane reality is the movie theatre. After losing her job, Cecilia goes to see 'The Purple Rose of Cairo' in hopes of raising her spirits, where she watches dashing archaeologist Tom Baxter time and again.
A successful businessman travels to Italy to arrange for the return of his tycoon father's body, only to learn that dear old dad died with his longtime mistress.