Le Faux-cul

The whole intrigue is centered around carte-blanche documents kept in a vault. Whoever fills in the blank becomes the owner of a revue. Big money is involved. The nephew of the owner of the vault is trying to cheat his uncle and have his name in the documents. Everything is even more complicated because the manager of the bank has a finger in the pie, too. Who but a humble bank-teller (Pierre Richard) will ruin the scheme?

Michel Berthier, a senior executive at a mattress manufacturing company, has just been fired. As he does not dare to tell the truth to Juliette, his partner, he goes into debt to maintain the family’s standard of living, showering them with gifts. But soon he can no longer lie, and he decides to leave the house. After losing his money, his car, and his shoes, he meets Toubib, Mimosa, and Crayon, three “homeless” people who wash themselves in the restrooms at the Gare de l’Est. They take him under their wing and lead him to break into his former company in order to get sleeping bags and beds.

After getting screwed over by life (again), two losers decide that enough is enough. Using stolen ski masks and stolen toy guns, they take hostages in their local bank, holding them for ransom. Things go well until the hostages learn what's going on, and demand a piece of the action for themselves.

Fred, Achille, Max and Belette form a good-for-nothing gang of crooks. Dismally failing their last raid, they decide to get back in the game, kidnapping Sophie Marceau.

Henri is a middle-aged writer with fading inspiration who has published nothing worthy of note in years. Feeling increasingly misunderstood by his wife and four grown up deadbeat kids, he dreams of running away to start over again. Yet when he discovers an unattractive, bad-mannered dog in his garden, he decides to adopt him and both start developing an unexpected friendship that inevitably upsets Henri’s family and neighbors.

A disgraced political journalist placed in the soccer section, Miss Pove is asked to follow the presidential campaign in progress. The front-runner is a fifty-year-old heir to a powerful French family and a political novice. Troubled by this candidate, whom she has known to be less smooth in the past, Miss Pove embarks on an investigation that is as surprising as it is jubilant.

Bénédicte, a famous opera singer, leads the life of a diva between Parisian palaces and social gatherings. After an evening of excess, she sees her career crumble. Fatou, also a palace regular but as a cleaning lady, is the only one to reach out to her. Passionate about singing, Fatou has one idea in mind: to convince Bénédicte to take part in the big national karaoke contest. The perfect vocal mastery of one and the tenacity of the other could well create sparks and take them very far.

At 55, Anne is finally enjoying her freedom after her children leave home. But everything changes when her 23-year-old daughter, Louise, moves back in with her after a professional and romantic failure. And to make matters worse, her son, Théo, announces that she's going to be a grandmother! Anne realizes that life never goes as planned and that, at any age, we are still learning to grow up.

Alexandre, a young and honest farmer, is oppressed by an authoritarian wife, who makes him work like a dog. When she dies in a car crash, he decides to stay in bed, absolutely free and inactive. Just a dog is occupied to carry food and newspapers to him.

"Maine-Ocean" is the name of a train that rides from Paris to Saint-Nazaire (near the ocean). In that train, Dejanira, a Brazilian, has a brush with the two ticket inspectors. Mimi, another traveler and also a lawyer, helps her. The four of them will meet together later and live a few shifted adventures with a strange-speaking sailor (Mimi's client).