La Cabale des oursins

Documentary about the making of American Pie (1999), American Pie 2 (2001) and American Wedding (2003).

In the world of stand-up comedy in South Africa, Trevor Noah uses his childhood experiences in a biracial family during apartheid to prepare for his first one-man show.

The making of 'Dr. Horrible's Sing-Along Blog'.

เควิน ฮาร์ทจะมาปล่อยมุกฮาและเสิร์ฟพิซซ่าอบจากเตาอิฐที่บ้านของเขาเอง พร้อมเมาท์มอยเรื่องการแชทกลุ่มของพวกผู้ชาย เซ็กส์หลังวัย 40 และประสบการณ์ชีวิตหลังติดเชื้อโควิด-19

What begins as a documentary following the final tour of a dying magician - "The Amazing Johnathan" - becomes an unexpected and increasingly bizarre journey as the filmmaker struggles to separate truth from illusion.

Stand-up comedian Kevin Hart talks about his family, travel and a year full of reckless behavior in front of a live sold-out crowd in London.

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

เจอร์รี่ ไซน์เฟลด์หวนกลับมายังคลับที่เขาแสดงเป็นครั้งแรกในช่วง 1970 คราวนี้เขาขนมุกอันเป็นเอกลักษณ์มาผสมผสานกับเรื่องราวจากวัยเด็กและความทรงจำช่วงแรกในแวดวงตลก

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."