A famous French filmmaker is hired by a major Hollywood producer to make a documentary on the state of post-Cold War Russia. The filmmaker, though, subverts the project by stubbornly remaining in France and casting himself as the title character of Dostoyevsky's "The Idiot," offering up a series of typically Godardian musings on art, politics, the nature of images and the future of cinema.
László Szabó
Jack Valenti, the Producer
ฌ็อง-ลุก กอดาร์
Prince Mishkin, the Idiot
Bernard Eisenschitz
Harry Blount
André S. Labarthe
Alcide Jolivet
Aude Amiot
Mademoiselle Amiel / Anna Karenina
Ирина Апексимова
Anna Karenina
Marie Borowski
Benjamin Kraatz
Prince André
Ксения Кутепова
Maid, One of Chekhov's Sisters
A famous French filmmaker is hired by a major Hollywood producer to make a documentary on the state of post-Cold War Russia. The filmmaker, though, subverts the project by stubbornly remaining in France and casting himself as the title character of Dostoyevsky's "The Idiot," offering up a series of typically Godardian musings on art, politics, the nature of images and the future of cinema.
In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.
Three manic idiots—a lawyer, a cab driver and a handyman—team up to run a ballet company to fulfil the will of a millionaire. Stooge-like antics result as the trio try to outwit the rich widow and her scheming big-shot lawyer, who also wants to run the ballet.
An intricate thriller about an ordinary man thrust into the biggest theft of Soviet information of the Cold War. Right after the Soviet invasion of Afghanistan. A French businessman based in Moscow, Pierre Froment, makes an unlikely connection with Grigoriev, a senior KGB officer disenchanted with what the Communist ideal has become under Brezhnev. Grigoriev begins passing Froment highly sensitive information about the Soviet spy network in the US.
สร้างจากชีวิตจริงของผู้เขียนบทและผู้กำกับ ทอมมี่ ไวโซว ผู้สร้างภาพยนตร์เรื่อง The Room ภาพยนตร์จะเล่าตั้งแต่ที่ทอมมี่ได้เจอกับเกร็ก ในชั้นเรียนการแสดง พวกเขาพยายามไล่ตามความฝันการเป็นนักแสดง แต่ไม่ประสบความสำเร็จ จึงตัดสินใจร่วมกันสร้างภาพยนตร์ขึ้นมาเอง นั่นก็คือเรื่อง The Room (เดอะ รูม)
After writing for Cahiers du cinéma, a young Jean-Luc Godard decides making films is the best film criticism. He convinces producer Georges de Beauregard to fund a low-budget feature, and creates a treatment with fellow New Wave filmmaker François Truffaut about a gangster couple. The result? Breathless, one of the first features of the Nouvelle Vague era of French cinema.
Team America กองกำลังตำรวจสากลที่มุ่งมั่นกับการรักษาความมั่นคงของโลก รู้ว่าเผด็จการผู้กระหายอำนาจกำลังซื้ออาวุธทำลายล้างสูงให้ผู้ก่อการร้าย เหล่าฮีโร่ต้องลงมือทำภารกิจสุดหินเพื่อกอบกู้โลก
A strike at a French sausage factory contributes to the estrangement of a married filmmaker and his reporter wife.
A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
Offbeat documentarian Chris Smith provides a behind-the-scenes look at how Jim Carrey adopted the persona of idiosyncratic comedian Andy Kaufman on the set of Man on the Moon.
ทีม "พิงค์ แพนเตอร์" ของเบลค เอ็ดเวิร์ดและปีเตอร์ เซลเลอร์สกับการตีแผ่ฮอลลีวูดอันแสนเย่อหยิ่งหลังฉากหนังเสียดสีวงการมายาได้อย่างตรงเป้า