After a lengthy period of watching the dancers at the Folies Bergères, a fireman stops in for a drink. As he becomes intoxicated, his thoughts return to the dancers, and he begins to see images of nude dancers all around him. Whether he goes into the subway, rides on a streetcar, or returns to the fire station, he continues to see the same imaginary sights.
Josephine Baker
After a lengthy period of watching the dancers at the Folies Bergères, a fireman stops in for a drink. As he becomes intoxicated, his thoughts return to the dancers, and he begins to see images of nude dancers all around him. Whether he goes into the subway, rides on a streetcar, or returns to the fire station, he continues to see the same imaginary sights.
While doing the inventory for a lingerie outlet in a high rise office building, five attractive women are terrorized by a series of bizarre killings. They suspect that the strange janitor, who witnessed another series of killings years back, is at the bottom of the whole thing. Little do they know the real horror that they face in the end.
Chronic serial womanizer Stephane Margelle drops his wife Sophie off at the airport so she can go away for Easter weekend. He immediately picks up beautiful young Julie, who has just had a fight with her married boyfriend. He gets her back to his apartment and is preparing for a sexy weekend, when his wife suddenly returns home. He makes up a bizarre, on-the-spot, spur-of-the-moment story that the gorgeous girl is actually his long-lost daughter. Julie plays along, but this leads to a whole series of increasingly ridiculous lies and comical situations (such as when her real mother shows up).
A young man schemes to drum up business for his girlfriend's employer but after seeing her being intimate with another man, he attempts to commit suicide.
Two men, fortyish, worn out by their wives, abandon everything to go and live in the back of beyond. There they meet a truculent priest, a boozer, Émile who recalls them to life's simple pleasures. Calm is what they want. But soon their example inspires thousands of disorientated males...
This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.
Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.
Mary and her friend, Rachel, are new students at St. Francis Academy, a boarding school run by the iron fist of Mother Superior. The immature teens grow bored and begin playing pranks on both the unsuspecting nuns and their unpleasant classmates, becoming a constant thorn in Mother Superior's side. However, as the years pass, Mary and Rachel slowly mature and begin to see the nuns in a different light.
Jacques Belin, presenter of a silly TV show, gets drunk after receiving an award and misses the train bringing his TV-soap-star fiancée. He meets up with Frède, just out of prison after a three year sentence and, in between numerous arguments and Jacques' break-up with his girlfriend, the two of them get drunker together, going across Paris in search of more alcohol and adventure.
Roscoe and Buster give a bullying Strongman the what-for, but after the performance troupe quits it's up to Fatty and Buster to keep the show going.
Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made.