ヴェネチアの紋章 / ジャンクション24 Backdrop Blur
ヴェネチアの紋章 / ジャンクション24 Poster
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ヴェネチアの紋章 / ジャンクション24

Takarazuka Flower Troupe 1991 production based on the novel The Murder of Saint Marco by Shiono Nanami, with associated revue show Junction 24. The Emblem of Venezia - At the beginning of the sixteenth century the Republic of Venezia was the most prosperous country in Europe. In 1527, Alvise Gritti, a thirty year-old of great wealth returned to his homeland Venezia from Constantinople. Alvise was a proud man like his father and he could not bear to be excluded from the highest ranks of society... Junction 24 - At dawn in a big city a youth sings about his loneliness. The train station clock mysteriously begins to move anticlockwise. The drab station is transformed into a showy revue theater. The entire cast bounds joyfully out onto the stage to sing and dance.

นักแสดงนำ

  • Ooura Mizuki

    Ooura Mizuki

    Alvise Gritti

  • Hibiki Mito

    Hibiki Mito

    Livia (Madame Priuli)

  • 安寿ミラ

    安寿ミラ

    Marco Dandol

  • 真琴つばさ

    真琴つばさ

    Sebastiano Contarini

เรื่องย่อ

Takarazuka Flower Troupe 1991 production based on the novel The Murder of Saint Marco by Shiono Nanami, with associated revue show Junction 24. The Emblem of Venezia - At the beginning of the sixteenth century the Republic of Venezia was the most prosperous country in Europe. In 1527, Alvise Gritti, a thirty year-old of great wealth returned to his homeland Venezia from Constantinople. Alvise was a proud man like his father and he could not bear to be excluded from the highest ranks of society... Junction 24 - At dawn in a big city a youth sings about his loneliness. The train station clock mysteriously begins to move anticlockwise. The drab station is transformed into a showy revue theater. The entire cast bounds joyfully out onto the stage to sing and dance.

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ร้านน้อยค่อยๆโหด

7.0 1986
The Pornographers

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.

The Pornographers

7.2 1966