El perfecto cerdo
One of the first works by María Cañas, an excessive metadiscursive exercise on the “pig character” of current information and archive culture.
One of the first works by María Cañas, an excessive metadiscursive exercise on the “pig character” of current information and archive culture.
Luis Gordo
Kei Igarashi
Fabrizio Olmedo
One of the first works by María Cañas, an excessive metadiscursive exercise on the “pig character” of current information and archive culture.
Documentary about the making of American Pie (1999), American Pie 2 (2001) and American Wedding (2003).
The making of 'Dr. Horrible's Sing-Along Blog'.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
In the world of stand-up comedy in South Africa, Trevor Noah uses his childhood experiences in a biracial family during apartheid to prepare for his first one-man show.
An exposé of comic proportions that only Chris Rock could pull off, GOOD HAIR visits beauty salons and hairstyling battles, scientific laboratories and Indian temples to explore the way hairstyles impact the activities, pocketbooks, sexual relationships, and self-esteem of the black community.
Time to hassle the Hoff at the rudest, raunchiest television event of the year--The Comedy Central Roast of David Hasselhoff. From running in slo-mo on the beach to inspiring Germany with the power of cheesy pop--it's almost too easy.
The comedic stylings of four sort-of famous funnymen are brought to the big screen courtesy of this 2002 documentary.
A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.
Martin Scorsese’s portrait of writer and social commentator Fran Lebowitz, celebrated for her sharp wit and observations on modern life. Filmed at New York’s Waverly Inn and intercut with archival footage and interviews, the documentary captures Lebowitz’s distinctive worldview through her spontaneous monologues and public appearances.