60 Seconds
A found-footage film in which time ticks away on the watches of the film industry. They do not just function as dramatic signs for expectation and suspense, but also as icons for the limitation of film (and its shelf life).
A found-footage film in which time ticks away on the watches of the film industry. They do not just function as dramatic signs for expectation and suspense, but also as icons for the limitation of film (and its shelf life).
A found-footage film in which time ticks away on the watches of the film industry. They do not just function as dramatic signs for expectation and suspense, but also as icons for the limitation of film (and its shelf life).
เรื่องราวของเดวิด นักเรียนไฮสคูลสุดฉลาดปราดเปรื่องและผองเพื่อน ที่ได้ค้นพบแบบพิมพ์เขียวของอุปกรณ์ลึกลับ ซึ่งมีศักยภาพไร้ขีดจำกัด และนำพาชีวิตพวกเราไปสู่อันตราย ติดตามเรื่องราวของเดวิดและเพื่อน ๆ กับการเดินทางข้ามเวลาและการกลับไปแก้ไขอดีตที่ผิดพลาดหรือทำสิ่งต่าง ๆ เพื่อประโยชน์ของตนเอง ซึ่งส่งผลกระทบต่อปัจจุบันอย่างไม่คาดคิด
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.
Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
Tom Merrick gets caught up in a time-traveling conspiracy and must set the timeline right before it is irrevocably altered.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
A group of dated appliances, finding themselves stranded in a summer home that their family had just sold, decide to seek out their eight year old 'master'.
A deep dive into the making of the Paranormal Activity films with first time ever interviews with cast and crew, never-before-seen footage from the movies, and a preview of the seventh installment in the franchise.
Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.