Un Manojo de Imágenes Rotas
Sunday afternoon. Images of last summer. A view of the sunset from a hill. Some flashes.
Sunday afternoon. Images of last summer. A view of the sunset from a hill. Some flashes.
Sunday afternoon. Images of last summer. A view of the sunset from a hill. Some flashes.
When things go bad in Beantown, top assassin Killer Bean is called to clean-up the mess. Detective Cromwell finds himself in the middle between Killer Bean and mob boss Cappuccino.
To escape neglect and abuse from his parents, a young boy plants some strange seeds and they grow into a grandmother.
คุณจิ้งจอกผู้แสนวิเศษเบื่อหน่ายกับชีวิตปัจจุบัน จึงวางแผนปล้นชาวนาในท้องถิ่นสามคน ชาวนาเบื่อหน่ายกับการแบ่งปันไก่กับจิ้งจอกเจ้าเล่ห์ จึงคิดแก้แค้นเขาและครอบครัวของเขา
Dive into the waters below and watch the aquatic wildlife from the world of Nemo and Dory.
Mike discovers that being the top-ranking laugh collector at Monsters, Inc. has its benefits – in particular, earning enough money to buy a six-wheel-drive car that's loaded with gadgets. That new-car smell doesn't last long enough, however, as Sulley jump-starts an ill-fated road test that teaches Mike the true meaning of buyer's remorse.
A silent figure known as The Assassin travels through a nightmare underworld of tortured souls, ruined cities and wretched monstrosities forged from the primordial horrors of the unconscious mind of Phil Tippett, the world's preeminent stop-motion animator.
One by one, a flock of small birds perches on a telephone wire. Sitting close together has problems enough, and then comes along a large dopey bird that tries to join them. The birds of a feather can't help but make fun of him - and their clique mentality proves embarrassing in the end.
After a daring heist at a museum, the youngest member of the villainous Nelson family, Binky, realizes he's left behind his beloved pacifier. Determined to retrieve it, Binky embarks on an adorable and hilarious mission to recover his prized possession.
Clinging to a smooth, curved surface high above a sentient abyss, a woman tries to cover the few feet back to safety without losing purchase and falling to her death.
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?