Angélica María frente al Mar
Homage to the diva of the seventies Angélica María that is actually a self-portrait of Luis Zapata.
Homage to the diva of the seventies Angélica María that is actually a self-portrait of Luis Zapata.
Angélica María
Herself
Angélica Vale
Herself
Luis Zapata
Himself
Enrique Caballero
Nelly Terán
José Dimayuga
Homage to the diva of the seventies Angélica María that is actually a self-portrait of Luis Zapata.
Oliveiro is a young poet living in Buenos Aires where sometimes he has to sell his ideas to an advertising agency to make a living or exchange his poems for a steak. In Montevideo, he meets a prostitute, Ana, with whom he falls in love. Back in Buenos Aires, he accepts a contract with a publicity agency to get the money for three days of love with her. Will he get what he's searching for when his ideal of love's pleasure is literally going in levitation while making love?
In 1973, a young gallery assistant goes on a wild adventure behind the scenes as he helps aging genius Salvador Dali prepare for a big show in New York.
The film consists of 16 shorts that explore, with humor and social criticism, the characteristics of the Argentine identity.
Gloria is a 58-year-old divorcée. Her children have all left home but she has no desire to spend her days and nights alone. Determined to defy old age and loneliness, she rushes headlong into a whirl of singles’ parties on the hunt for instant gratification – which only leads to repeated disappointment and enduring emptiness. But when Gloria meets Rodolfo, an ex-naval officer seven years her senior, she begins to imagine the possibility of a permanent relationship.
ชายหนุ่มคนหนึ่งถูกผลักดันเข้าสู่ชีวิตที่เต็มไปด้วยเล่ห์เหลี่ยม หลอกลวง และเข้าใจผิดในเรื่องตัวตน เพื่อตามหาหญิงสาวเจ้าเสน่ห์ที่หัวใจของเขาไม่เคยสามารถเข้าถึงได้
A chance encounter with a stranger changes the life of a college gymnast.
A portrait of the director’s young adulthood, set in the 1940s–1950s, in the electric capital city of Santiago. There, he decides to become a poet and is introduced, by destiny, into the foremost bohemian and artistic circle of the time.
Harris Glenn Milstead, aka Divine (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture.
A defrocked Episcopal clergyman leads a bus-load of middle-aged Baptist women on a tour of the Mexican coast and comes to terms with the failure haunting his life.
The rise and fall of salsa singer, Héctor Lavoe (1946-1993), as told from the perspective of his wife Puchi, who looks back from 2002.