女子学生 (秘) 床運動

Based on the factual case of a young man who broke into a nurses' home in Chicago, mutilating and killing several of the inmates, Wakamatsu's film is a precise, sad delineation of a particular aspect of masculine sexual consciousness.

Go, Go, Second Time Virgin is the story of two damned and abused teenagers who meet and fall in mutant love on a Tokyo rooftop. Their only hope is to cement their love with an escape into oblivion.

Misaki Amemiya is an assistant inspector for the Metropolitan Police Department's Community Safety Bureau who becomes ensnared in a trap while investigating a mysterious illegal video website called "Babylon". Soon, she's bound and tortured along with Shizuko and an oversexed housewife named Ruri.

A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.

Kyôko, a traumatized young Japanese girl, finds herself struggling with her self-confidence in her adult life. Growing up in a family without her mother and her sister, she constantly questions the rationale of sex and the notion of liberty in modern Japanese society.

An American journalist travels through 19th-century Japan to find the prostitute he fell in love with but instead learns of the physical and existential horror that befell her after he left.

ฤดูใบไม้ผลิ แม้จะขึ้นชั้นม.ปลายปี 3 แล้วในหัวของคิตาชิราคาวะ ทามาโกะยังคงมีแต่เรื่องโมจิเช่นเคย เย็นวันหนึ่งในฤดูใบไม้ผลิ ระหว่างทางกลับบ้านจากโรงเรียน ทามาโกะกับเพื่อนๆทั้ง 4 พูดคุยกันอย่างสนิทสนมตามปกติ ทุกคนต่างก็รู้สึกเป็นกังวลกับสิ่งที่กำลังรอพวกเขาอยู่ในอนาคตเบื้องหน้า ซึ่งทามาโกะก็ตอบไปอย่างไม่คิดอะไรว่าต้องการสานต่อธุรกิจโมจิกับที่บ้านต่อ ไป ในเวลาเดียวกัน โมจิโซผู้อาศัยอยู่บ้านตรงข้ามทามาโกะผู้ซึ่งใช้เวลาร่วมกับเธอมายาวนาน ก็ได้ตัดสินใจทำบางสิ่งให้มันชัดเจน หลายสิ่งหลายอย่างรอบตัวเธอค่อยๆแปรเปลี่ยนไปทีละเล็กละน้อย จนทำให้หัวใจของทามาโกะเริ่มสั่น

On the Japanese island of Amami, despite lacking parental guidance, Kaito and his girlfriend Kyoko try to find their place in the world. While Kaito suffers from the absence of his father, who moved to Tokyo after his birth, Kyoko must come to grips with her mother’s terminal illness.

Sex & Fury chronicles Ocho's exploits as she searches for her father's killers, each identified by unique tattoos on their backs (a deer, a boar, and a butterfly). Along the way, she also crosses paths with Shunosuke, a radical set on murdering prominent politician Kurokawa, and Christina, an American spy posing as a gambler.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.