Somos Libres!?

The story of two radically different men thrown together in a Latin American prison cell. One is Valentin, a journalist being tortured for his political beliefs. The other is Molina, a gay window-dresser who fills their lonely nights by spinning romantic fantasies drawn from memories of old movies.

Seville, 1977. At a time when homosexuality is a crime, Reme, a traditional mother moved by the love of her son, an adolescent aspiring artist, will become involved in the Andalusian LGBTQ+ movement, paradoxically born in the bosom of the Church.

In the suburbs of Buenos Aires, Gabriel has just moved in with his colleague, Juan. Shy and reserved, Gabo is reluctant to follow Juan's wandering hands and meaningful looks. With a revolving door of beauties streaming out of Juan's bedroom, his machismo seems firmly in place. However, the attraction between the two men is undeniable.

In 1979 Cuba, flamboyant gay artist Diego attempts to seduce straitlaced David, an idealistic young communist, and fails dismally. But David conspires to be "friends" with Diego so he can monitor the artist's subversive life for the state. As Diego and David discuss politics, individuality and personal expression in Castro's Cuba, a genuine friendship develops between the two.

เรื่องราวของ "ซัลวาดอร์ มัลโล" ผู้กำกับภาพยนตร์ที่หมดไฟในการทำงาน และสภาพร่างกายย่ำแย่ โดยเรื่องราวนั้นถูกเล่าตั้งแต่ในวัยเด็กในช่วงทศวรรษที่ 60 ครอบครัวอพยพไปอยู่ในหมู่บ้านเล็ก ๆ ที่เมืองบาเลนเซีย การออกตามหาความสำเร็จ ความปรารถนา และรักครั้งแรกที่เกิดขึ้นในกรุงมาดริดช่วงทศวรรษที่ 80 ความเจ็บปวดจากรักแรกครั้งที่ยังคงอยู่ไม่หายไป และการรักษาเพียงหนทางเดียวคือการพยายามลืมในสิ่งที่เขาไม่อาจลืม

Valentín, a political prisoner, shares a cell with Molina, a window dresser convicted of public indecency. The two form an unlikely bond as Molina recounts the plot of a Hollywood musical starring his favorite silver screen diva, Ingrid Luna.

Raúl, Eduardo and Santiago have led a happy and "straight" life since their childhood, until, one day, Santiago confesses to them that he is gay.

A portrait of the director’s young adulthood, set in the 1940s–1950s, in the electric capital city of Santiago. There, he decides to become a poet and is introduced, by destiny, into the foremost bohemian and artistic circle of the time.

Buenos Aires, Argentina, 1971. Carlos Robledo Puch is a 19-year-old boy with an angelic face, but a vocational thief as well, who acts ruthlessly, without remorse. When he meets Ramón, they follow together a dark path of crime and death.

Ariel is a good-looking farm boy who lives with his father and sister in a rural part of Buenos Aires province. He has become familiar with sex thanks to Omar, a priest with whom he has a secret affair.