บิดเปิดผี
"Unlock your fears."
ดัดแปลงมาจากหนังสยองขวัญคลาสสิกในปี 1987 ของ ไคลฟ์ บาร์เกอร์ ที่หญิงสาวคนหนึ่งซึ่งต่อสู้กับการเสพติดได้กล่องปริศนาโบราณมาครอบครองโดยไม่รู้ว่าจุดประสงค์ของกล่องนั้นคือการอัญเชิญ ซีโนไบท์
"Unlock your fears."
ดัดแปลงมาจากหนังสยองขวัญคลาสสิกในปี 1987 ของ ไคลฟ์ บาร์เกอร์ ที่หญิงสาวคนหนึ่งซึ่งต่อสู้กับการเสพติดได้กล่องปริศนาโบราณมาครอบครองโดยไม่รู้ว่าจุดประสงค์ของกล่องนั้นคือการอัญเชิญ ซีโนไบท์
Odessa A'zion
Riley McKendry
ดรูว์ สตาร์คีย์
Trevor
Jamie Clayton
The Priest
Adam Faison
Colin
Brandon Flynn
Matt McKendry
Aoife Hinds
Nora
Goran Višnjić
Roland Voight
Hiam Abbass
Menaker
Kit Clarke
Joey
ดัดแปลงมาจากหนังสยองขวัญคลาสสิกในปี 1987 ของ ไคลฟ์ บาร์เกอร์ ที่หญิงสาวคนหนึ่งซึ่งต่อสู้กับการเสพติดได้กล่องปริศนาโบราณมาครอบครองโดยไม่รู้ว่าจุดประสงค์ของกล่องนั้นคือการอัญเชิญ ซีโนไบท์
After four theatrical and six direct-to-video releases “Hellraiser” has been given a reboot as a cinematic release for Hulu. For those not familiar with the series based on a story by Clive Barker, it involves a cube-shaped puzzle box that when opened summons demons known as Cenobites who demand sacrifices and promise great rewards to those who summon them. Naturally, their version of rewards is the stuff of nightmares as the line between pleasure and pain for them is even more distorted than their horrific visages leading those who encounter them to plead for death but often face tortures beyond imagination. The new take on the series stars Odessa A’zion as Riley, a recovering addict who is living with her brother and his boyfriend as well as a roommate. Her brother is concerned over her relationship with her boyfriend as he believes anyone she met in recovery is not stable enough to support her in her times of need. Desperate for money; Riley is convinced to take objects from an abandoned warehouse but finds only the mysterious puzzle box which she in time is able to reconfigure to one of the various options it is capable of. In doing so, she summons the Cenobites who promptly take her brother which forces Riley and her friends not only to question her sobriety but her sanity as well. As they attempt to understand the nature of what is happening to them, their investigation leads them to a larger puzzle and encounters with more Cenobites including their leader Pinhead (Jamie Clayton) whose at times cryptic messages can tempt and torment those who try to survive and manipulate the events they find themselves in. What follows is a mix of tension and gore as personal ambitions, survival, temptation, and base emotions are tempted as the characters attempt to understand a complex and rapidly changing nightmare from which there seems to be no escape. While the new version does have a slow and more deliberate pace leading up to the finale, it was engaging enough to hold my interest. For me, the theatrical films became at times redundant as they did not advance the mythos as much as up the gore in an attempt to keep the audiences coming. The fact that the last theatrical release had the Director remove his name from the film shows how things had deteriorated too. The six video releases were hit and miss with Barker no longer being involved and eventually the same for original Pinhead Doug Bradley who no longer wanted to be part of a series where a film was produced in a matter of weeks simply to maintain the rights. This time around thanks to a good cast and effects along with a story that is true to the mythos yet updated and engaging, the franchise has had a much-needed new direction and it will be interesting to see where it goes next as there are already rumors of a prequel in the works. Hulu has done well with their recent “Predator” film “Prey” which has invigorated the franchise and this new outing is not only ideal for their format but a fresh step for the franchise. You can check out “Hellraiser” on Hulu on October 7th.
Yes, Hellraiser has had a Disney make over and it shows. I like Clive Barkers work. I've read a lot of his novels and I remember the original Hellraiser films. Frankly, this film does not feel like an adaptation, of his work. For a start, its predictably woke, no surprises there, right? Its cardinal sin however, is dumbing down the lore found in the original franchise and applying the little that is left, in an inconsistent and at times incoherent, manner. The results a borderline watchable affair. Its pretty tame compared to the original flicks and for me, failed to resonate. Acting is alright and as you might expect, production values are decent. That said, the original films are, I believe, considerably better and far more disturbingly horrifying, than this rather weak facsimile.
Not a bad movie... but not a decent movie either. It's not as entertaining as most of the Hellraiser sequels to date. It's predictable, in no way suspenseful and much of it makes little to no sense. It has nothing in common with the other Hellraiser movies and nothing in common with 'The Hellbound Heart' which is the Clive Barker novel that Hellraiser is based on. The original Hellraiser movie was very true to the book and is still by far the best Hellraiser movie with the most suspense, horror and entertainment value. I'm sure we'll see more Hellraiser movies... and I'm sure they will all be uninspiring.
It's pretty woke and I enjoyed it. I swear, how did we go from discussing and critiquing the plot of a movie and the acting and the script and the sets, to opening criticism with the line "it's pretty woke". At least the bigots can't help but out themselves constantly nowadays.
A hedonistic man finds a mysterious puzzle box that summons a group of gruesome beings known as the Cenobites. These otherworldly entities open the doors to a dominion where pain and pleasure are indivisible.
ภายหลังการรอดชีวิตจากเหตุการณ์สยดสยองในภาคแรก เคิร์สตี้ต้องอยู่ในโรงพยาบาลบ้า ที่นั่นความน่ากลัวกลับมาอีกครั้ง เมื่อแพทย์ผู้บ้าคลั่ง เปิดประตูนรกเพื่อรับการกลับมาเยือนของพินเฮดและพลพรรคจากอเวจี ขณะที่เคิร์สตี้ต้องต่อสู้กับความชั่วร้ายเพื่อปกป้องวิญญาณพ่อของเธอ
Remy, a seemingly naive and devout young woman, finds herself cast out from her religious cult. With no place to turn, she immerses herself into the underground world of truck stop sex workers. Under the watchful eye of their matriarch and an enigmatic local lawman, Remy navigates between her strained belief system and the code to find her true calling in life.
ในก้นบึ้งของความหวาดกลัวยุคปัจจุบัน ภาพยนตร์บางเรื่องมีผลกระทบอย่างรุนแรง เช่นในผลงานภาพยนตร์คลาสสิค ปี 1977 ของ เวส คราเว่น เรื่อง The Hills Have Eyes ด้วยความดิบ และเหี้ยมโหดระทึกขวัญอย่างไม่ปราณีในเรื่องราวของครอบครัวหนึ่งซึ่งกำลังอยู่ระหว่างการพักร้อน ที่ต้องเผชิญหน้าการต่อสู้อย่างสิ้นหวังเพื่อเอาชีวิตรอด ในภาพยนตร์ต้นทุนสร้างแสนจะต่ำแต่ไม่มีขีดจำกัดกับรูปแบบที่มาจากแกนเรื่องที่เต็มไปด้วยทั้งเล่ห์กลและความน่าสะเทือนใจอย่างแรงที่จะเขย่าทุกขุมประสาท
หลังจากการค้นพบเทป VHS ลึกลับ ทีมตำรวจ SWAT ที่แข็งแกร่งได้เปิดฉากบุกจู่โจมคลังสินค้าห่างไกลแห่งหนึ่งอย่างเข้มข้น แต่กลับค้นพบสถานที่ประกอบพิธีกรรมลัทธิชั่วร้ายที่มีการรวบรวมสื่อที่บันทึกไว้ล่วงหน้า ซึ่งเปิดโปงแผนการสมคบคิดอันเลวร้าย
Evan values family above all else, and anyone who gets between him, his wife, and newborn son learns that the hard way. But when it comes to violent tendencies, it seems the apple doesn’t fall far from the tree.
A boy named Harley and his family attend a taping of The Banana Splits TV show, which is supposed to be a fun-filled birthday for young Harley and business as usual for Rebecca, the producer of the series. But things take an unexpected turn - and the body count quickly rises. Can Harley, his mom and their new pals safely escape?
A deranged man hides in the attic of a new house and becomes obsessed with the unsuspecting family that moves in.
The film contains five stories set on desolate stretches of a desert highway. Two men on the run from their past, a band on its way to a gig, a man struggling to get home, a brother in search of his long-lost sister and a family on vacation are forced to confront their worst fears and darkest secrets in these interwoven tales.
Milton, a college dropout, was only supposed to cook meth for one day. Broken out of rehab by a brash young woman and her trigger-happy ("ex") boyfriend and driven to a remote cabin the woods, Milton finds himself drawn into a dangerous love triangle gone haywire. The couple's deadpan half-truths spin around Milton like a song on repeat. They seem to read him like an open book, until a mysterious message opens his eyes to his cursed existence. With unlimited ammunition, any hunting tool they could desire, and an ever-growing body count, for what did Milton really sign up?