Time Stepping Backdrop Blur
Time Stepping Poster
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Time Stepping

“The film image is a row of boarded-up town houses pending demolition. Two cameras film in alternation this derelict facade from two changing viewpoints. They pan in opposing crossways movements and develop a picture view that appears to extend beyond the edges of the screen. The durations and sequencing of one shot in relation to another are not pre-scripted; the shooting patterns take the form of a space-time game where a new movement or action on one camera provokes a corresponding reaction from the second camera.” –William Raban

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“The film image is a row of boarded-up town houses pending demolition. Two cameras film in alternation this derelict facade from two changing viewpoints. They pan in opposing crossways movements and develop a picture view that appears to extend beyond the edges of the screen. The durations and sequencing of one shot in relation to another are not pre-scripted; the shooting patterns take the form of a space-time game where a new movement or action on one camera provokes a corresponding reaction from the second camera.” –William Raban

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Visions of Light

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

Visions of Light

7.0 1992