Henry VIII is an opera in four acts by Camille Saint-Saëns, from a libretto by Léonce Détroyat and Armand Silvestre, based on El cisma en Inglaterra (The schism in England) by Pedro Calderón de la Barca. It was revived in 1991 at the Théatre Impérial de Compiègne in a production by Pierre Jourdan, with Philippe Rouillon as Henry VIII, Michèle Command as Catherine of Aragon and Lucile Vignon as Anne Boleyn. The production was made into this film.
Philippe Rouillon
Henry VIII
Michèle Command
Catherine d'Aragon
Lucile Vignon
Anne de Boylen
Henry VIII is an opera in four acts by Camille Saint-Saëns, from a libretto by Léonce Détroyat and Armand Silvestre, based on El cisma en Inglaterra (The schism in England) by Pedro Calderón de la Barca. It was revived in 1991 at the Théatre Impérial de Compiègne in a production by Pierre Jourdan, with Philippe Rouillon as Henry VIII, Michèle Command as Catherine of Aragon and Lucile Vignon as Anne Boleyn. The production was made into this film.
แคทเธอรีน พาร์ พระมเหสีองค์ที่ 6 ของพระเจ้าเฮนรี่ที่ 8 ได้รับการแต่งตั้งให้เป็นผู้สำเร็จราชการแทนพระองค์ในขณะที่จอมทรราชกำลังทำศึกในต่างแดน เมื่อพระเจ้าเฮนรี่เสด็จกลับมาในสภาพที่ป่วยหนักและหวาดระแวงมากขึ้นเรื่อยๆ แคทเธอรีนพบว่าตัวเองต้องต่อสู้เพื่อเอาชีวิตรอด
A star is born in a time of both celebration and instability in this historical drama with music from director Christophe Barratier. In the spring of 1936, Paris is in a state of uncertainty; while the rise of the Third Reich in Germany worries many, a leftist union-oriented candidate, Léon Blum, has been voted into power, and organized labor is feeling its new power by standing up to management.
Aissa, a young officer of Algerian origin, tragically loses his life during a fresher initiation ritual at the prestigious French military academy of Saint-Cyr. As the death tears through his family, controversy arises over Aissa’s funeral plans when the Army refuses to take responsibility. Ismael, his older, rebellious brother, tries to keep the family united as they fight to win justice for Aissa.
After the lewd and frenetic Dance of the Seven Veils, and with the solemn pledge from the very lips of Herod himself that she could have whatever her heart desires up to half his kingdom, wanton and proud young Salomé comes before her king with an unreasonable demand. Beguiled by John the Baptist, and then scorned for the sake of his god, lascivious Salomé—encouraged by her mother, the vindictive, Herodias—commands that John be executed and his head delivered on a silver platter.
February 1927. The funeral of Marcel Péricourt, the most powerful banker in Paris. His daughter Madeleine must take the helm of the financial empire of which she is the heiress. But she has a son, Paul, who with an unexpected and tragic gesture will place her on the path to ruin.
Mélanie, 16 years old, lives with her mother. She likes going to school, her friends, playing the cello, and she wants to change the world. But when she meets a boy on the Internet and falls in love with him, her world changes as she is gradually recruited by Daesh. Sonia is 17 years old, and she almost did something irrevocable to “guarantee” her family a place in paradise. These teenage girls might be called Anaïs, Manon or Leila, and one day they all might go some way down the recruitment process. But can they ever come back from it?
Antoine Méliot is around 40 years old and has everything he needs to be happy: a beautiful wife, two adorable children, friends he can count on, a pretty house in the Yvelines and money. But one day he decides to ruin everything in one weekend.
Drama telling the story of Blue, a young man of Jamaican descent living in Brixton in 1980, as he hangs out with his friends, fronts a dub sound system, loses his job, struggles with family problems and has his friendships tested by racism.
A bourgeois couple, modern yet conventional. One night by accident, a young prostitute barges into their lives. Hounded down, beaten up, threatened, she will continue to struggle, with the help of a well off lady, first for her survival-her resurrection-then for her dignity and freedom. Stormy encounters for everyone involved.
Director Mario Van Peebles chronicles the complicated production of his father Melvin's classic 1971 film, "Sweet Sweetback's Baadasssss Song." Playing his father in the film, Van Peebles offers an unapologetic account of Melvin's brash and sometimes deceptive conduct on the set of the film, including questionable antics like writing bad checks, tricking a local fire department and allowing his son, Mario, to shoot racy sex scenes at the age of 11.