A woman on the verge of a nervous breakdown follows the afroed spirit of a revolutionary past through London's streets: Brixton and Portobello. I used the camera as the means for reflexive analysis of black female subjectivity and performances of resistance in urban spaces, specifically within the context of London's Portobello and Brixton.
A woman on the verge of a nervous breakdown follows the afroed spirit of a revolutionary past through London's streets: Brixton and Portobello. I used the camera as the means for reflexive analysis of black female subjectivity and performances of resistance in urban spaces, specifically within the context of London's Portobello and Brixton.
สารคดีทรงพลังแห่งปีเจ้าของรางวัล “สิงโตทองคำ ภาพยนตร์ยอดเยี่ยม” จากเทศกาลหนังเวนิซ 2022 ผลงานล่าสุดของ ลอร่า พอยทราส (ผู้กำกับเจ้าของรางวัลออสการ์จาก CITIZENFOUR) ซึ่งถ่ายทอดชีวิตอันโลดโผนสุดขั้วของ แนน โกลดิน ช่างภาพหญิงผู้โด่งดังจากผลงานแหกขนบที่ถ่ายทอดบาดแผลในชีวิตของเธอกับเพื่อนพ้องใต้ดิน ในยุคสมัยที่สังคมอเมริกันยังถูกครอบงำด้วยความคิดอนุรักษ์นิยม จวบจนถึงวันที่เธอตัดสินใจลุกขึ้นเป็นผู้นำขบวนการต่อต้าน “ตระกูลแซ็กเลอร์” มหาเศรษฐีผู้สร้างความมั่งคั่งจากการผลิตยาแก้ปวดโอปิออยด์ที่กลายเป็นต้นตอการระบาดของการใช้ยาเสพติดทั่วทั้งสหรัฐอเมริกา
Alone in her empty flat, from her window Anne observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her final gesture of taking a ring off her finger signals she is leaving her previous life in Holland behind. She goes to Ireland, where she chooses to lead a solitary, wandering existence, striding through the austere landscapes of Connemara. During her travels, she discovers a house that is home to a hermit, Martin.
In the early to mid '90s, when the South African system of apartheid was in its death throes, four photographers - Greg Marinovich, Kevin Carter, Ken Oosterbroek and João Silva - bonded by their friendship and a sense of purpose, worked together to chronicle the violence and upheaval leading up to the 1994 election of Nelson Mandela as president. Their work is risky and dangerous, potentially fatally so, as they thrust themselves into the middle of chaotic clashes between forces backed by the government (including Inkatha Zulu warriors) and those in support of Mandela's African National Congress.
A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.
In 1977, a book of photographs captured an awakening - women shedding the cultural restrictions of their childhoods and embracing their full humanity. This documentary revisits those photos, those women and those times and takes aim at our culture today that alarmingly shows the need for continued change.
Mike, a rough sleeper in London, is trapped in a cycle of self-destruction as he attempts to turn his life around. Along the way, he encounters unexpected chances for a fresh start.
On the outside, Helen has it all – a loving family and a successful career – but when her suppressed mental illness resurfaces, the world crumbles around her. Crippled by depression, Helen finds solace through her friendship with Mathilda, a kindred spirit struggling with bipolar disorder.
ความโศกเศร้านำพาให้แม่คนหนึ่งออกเดินทางพร้อมเพื่อนสนิท โดยจุดหมายคือการเผชิญหน้ากับชายที่เธอเชื่อว่าขโมยไอเดียธุรกิจเงินล้านของลูกชายและทำให้เขาต้องฆ่าตัวตาย
BBC Arena's documentary on the Dames of British Theatre and film featuring Maggie Smith, Eileen Atkins, Judi Dench and Joan Plowright on screen together for the first time as they reminisce over a long summer weekend in a house Joan once shared with Sir Laurence Olivier.
Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.