Fleurs sans titre Backdrop Blur
Fleurs sans titre Poster
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Fleurs sans titre

The film was shoot as a single S.8 roll in iris garden of the Casa Maure, and in a field of Normandy. The light filtering through the petals,[ which act as a sort of screen,] both illuminate matter and reveal the structure of the plant. In the first part of the work was shoot mostly in macro, so prepulsing ones vision, into the luminous mouleclus that make up living things. A sort of bees eye view of the world. Gradualy the spacialisation changes to one of an open landscape, and a field of buttercups. Beyond the vision of flowers and vegatation the work is a meditation on our place in the structure of the cosmos and order of things. Do we have a macro vision of our self and context, are we mircroscope, with an incomplete view and as ephemeral as a petal.

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The film was shoot as a single S.8 roll in iris garden of the Casa Maure, and in a field of Normandy. The light filtering through the petals,[ which act as a sort of screen,] both illuminate matter and reveal the structure of the plant. In the first part of the work was shoot mostly in macro, so prepulsing ones vision, into the luminous mouleclus that make up living things. A sort of bees eye view of the world. Gradualy the spacialisation changes to one of an open landscape, and a field of buttercups. Beyond the vision of flowers and vegatation the work is a meditation on our place in the structure of the cosmos and order of things. Do we have a macro vision of our self and context, are we mircroscope, with an incomplete view and as ephemeral as a petal.

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Roundhay Garden Scene

The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.

Roundhay Garden Scene

6.5 1888