Un Coût pour Rien

ในปี 1974 ผู้กำกับชิลี-ฝรั่งเศส อเลฮานโดร โฮโดโรว์สกี ได้เริ่มโครงการที่เต็มไปด้วยอุดมคติในการดัดแปลงนวนิยายที่มีอิทธิพลของแฟรงค์ เฮอร์เบิร์ต เรื่อง Dune (1969) สำหรับโรงภาพยนตร์ หลังจากใช้เวลาสองปีและเงินหลายล้านดอลลาร์ โครงการขนาดใหญ่ดังกล่าวจบลงด้วยความล้มเหลว แต่ศิลปินที่โฮโดโรว์สกีนำมาร่วมงานนั้นยังคงทำงานกันต่อและท้ายที่สุดได้วางรากฐานสำหรับโรงภาพยนตร์วิทยาศาสตร์สมัยใหม่.

A journey into the labyrinthine heart of ideology, which shapes and justifies both collective and personal beliefs and practices: with an infectious zeal and voracious appetite for popular culture, Slovenian philosopher and psychoanalyst Slavoj Žižek analyzes several of the most important films in the history of cinema to explain how cinematic narrative helps to reinforce prevailing ethics and political ideas.

Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.

"The idea is simple / A married woman and a single man meet / They love, they argue, fists fly / A dog strays between town and country / The seasons pass / The man and woman meet again / The dog finds itself between them / The other is in one, / the one is in the other / and they are three / The former husband shatters everything / A second film begins: / the same as the first, / and yet not / From the human race we pass to metaphor / This ends in barking / and a baby's cries / In the meantime, we will have seen people talking of the demise of the dollar, of truth in mathematics and of the death of a robin." -JLG

พระเอกลุยเดี่ยวฆ่าผู้ร้ายทั้งแก๊ง ฉากปิ๊งรักสุดเลี่ยน ท่าเดินแสนเท่ที่มีระเบิดเป็นฉากหลัง เหล่าคนดังในวงการจะมาเผาและจิกกัดหนังดังต่างๆ กันแบบแสบทรวง

The story lives forever in this feature-length documentary that charts the making of Star Wars: The Rise of Skywalker.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

Fulton and Pepe's 2000 documentary captures Terry Gilliam's attempt to get The Man Who Killed Don Quixote off the ground. Back injuries, freakish storms, and more zoom in to sabotage the project.

A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick's classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.

An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls "cine-writing," traveling from Rue Daguerre in Paris to Los Angeles and Beijing.