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Глаза Отара

The film is built at the junction between reality and fiction. The famous Russian TV presenter Otar Kushanashvili goes blind and falls out of the stream of days. He gets into the circumstances offered to him, and those, in turn, become more and more real. There are people around him playing themselves, but losing their spontaneity in front of the camera. The camera is a cold and unblinking TV eye and its cavalier is a demiurgic montage that subordinates essentially neutral material. The dialogue around the improvised core is built between sound and image, between visible and invisible. This is the gap between television and cinema, between documentaries and literature.

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The film is built at the junction between reality and fiction. The famous Russian TV presenter Otar Kushanashvili goes blind and falls out of the stream of days. He gets into the circumstances offered to him, and those, in turn, become more and more real. There are people around him playing themselves, but losing their spontaneity in front of the camera. The camera is a cold and unblinking TV eye and its cavalier is a demiurgic montage that subordinates essentially neutral material. The dialogue around the improvised core is built between sound and image, between visible and invisible. This is the gap between television and cinema, between documentaries and literature.

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1

Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.

1

6.7 2020
The Watchman

The protagonist Vlad is a man of about forty; he lives and works as watchman in an old sanatorium that is due to be demolished. He obviously needs this work to live the life of a hermit. One night a married couple appears at the sanatorium: Vera and Stas. They are on the run. They are pursued by former friends and business partners of Stas. Vlad decides to help them, because he too is hiding from the past. Each character is threatened with the inevitable payment for wrong choices in the past, but helping each other, they try to expiate these faults.

The Watchman

6.2 2019