She always has a plan. For each his own. For everyone another name. One needs Vera (Faith), another Nadezhda (Hope). And almost all need Liubov (Love). She leaves every one at his own time. She finds a reason. But who knows where deceit ends which people buy only for the sake of money, and when genuine feelings begin? And who knows who she is: just a kept woman in the capital, or an artful swindler, or a talented actress, or a woman who is able only to love? To love them all.
Алёна Михайлова
Саша (Вера-Надя-Люба)
Александр Кузнецов
Дима
Сергей Гармаш
Глеб, директор издательского дома
Александр Тронов
сын Глеба Александр
Александра Киселёва
продавщица Наташа
Кирилл Сафонов
Анатолий
Екатерина Стулова
хозяйка шоу-рума
Андрей Стоянов
мужик
Татьяна Гуреева
проститутка Таня
She always has a plan. For each his own. For everyone another name. One needs Vera (Faith), another Nadezhda (Hope). And almost all need Liubov (Love). She leaves every one at his own time. She finds a reason. But who knows where deceit ends which people buy only for the sake of money, and when genuine feelings begin? And who knows who she is: just a kept woman in the capital, or an artful swindler, or a talented actress, or a woman who is able only to love? To love them all.
Soviet Georgia, 1983. Preparations for Nika and Ana's wedding are in full swing and it's a big day for both of their elite families. For the newlyweds and their friends, however, the celebrations are in fact part of a cover-up, as they plot an audacious escape from the Soviet Union.
A black BMW, a symbol of luxury, is racing along the night streets of Moscow in the 90s. Bad luck turns four friends into criminals and they have no way back. Only the black “bimmer” is reliable in this life without rules, taking the friends farther and farther from Moscow, into the crazy and ruthless wilderness of Russian roads… None of them wanted to kill. None of them wanted to die. But they will have to face their destiny in the end.
An urban love story set on the hard streets of the Bronx. A struggling female pimp, named Wednesday, grows up learning the game from her dad. Once he's gone she's left to look out for her prostitute mother and girlfriend Nikki.
When household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society. The runaways hold on to each other like a family until a tragedy tears them apart.
“บ็อกซ์คาร์” เบอร์ธา ทอมป์สัน หญิงสาวชั่วคราวในอาร์คันซอในช่วงภาวะเศรษฐกิจตกต่ำอันเต็มไปด้วยความรุนแรงในช่วงต้นทศวรรษปี ค.ศ. 1930 ได้พบกับ “บิ๊ก” บิล เชลลี สมาชิกสหภาพแรงงานผู้ก่อความไม่สงบ และทั้งสองร่วมมือกันต่อสู้กับสถาบันการรถไฟที่ทุจริต
In this story inspired by real characters, three girls from America, Nigeria and India are trafficked through an elaborate global network and enslaved in a Texas brothel, and must together attempt a daring escape to reclaim their freedom.
Young teen girl Xiu Xiu is sent away to a remote corner of the Sichuan steppes for manual labor in 1975 (sending young people to there was a part of Cultural Revolution in China). A year later, she agrees to go to even more remote spot with a Tibetan saddle tramp Lao Jin to learn horse herding.
Based on the writer/director's childhood, FARMING tells the story of a young Nigerian boy, 'farmed out' by his parents to a white British family in the hope of a better future. Instead, he becomes the feared leader of a white skinhead gang.
A shell-shocked Afghanistan war hero named Ivan Skryabin (Mikhail Skryabin) spends his days stoking the fire in a giant coal furnace. When he isn’t tending the flames, he keeps busy with other activities. He works on a historical novel. His adult daughter Sasha (Aida Tumutova) comes to visit. Local kids come to gaze at the flames. Gangsters, including a former Army sergeant (Aleksandr Mosin) and a sniper known as Bison (Yuri Matveyev), drop by to add special kindling to the fire.
Laney is an attractive, intelligent suburban wife and devoted mother of two adorable children. She has the perfect husband who plays basketball with the kids in the driveway, a pristine house, and a shiny SUV for carting the children to their next activity. However, just beneath the façade lie depression and disillusionment that send her careening into a secret world of reckless compulsion. Only very real danger will force her to face the painful root of her destructiveness and its crumbling effect on those she loves.