Pin-Pon: Le film

หลังจากถูกไล่ออกจากป่า วู้ดดี้คิดว่าเจอบ้านที่จะได้อยู่อย่างถาวรแล้วที่แคมป์วูฮู จนกระทั่งนายตรวจอุทยานขู่จะปิดแคมป์

Flanked by their two children, Simon and Adélaïde decide, like many Parisians today, to leave their two-room apartment for a quieter and more comfortable life in the country. They are seduced by a house in the middle of nature: space, a vegetable garden, a wood adjoining their garden and above all villagers who welcome them with open arms. A dream come true! But the young couple was soon to be disillusioned: the wood was actually a hunting ground for big game! Although the hunters are friendly, they are not willing to give up their territory, making Simon and Adélaïde's dream of the countryside a living hell. But true to their reputation, our Parisians are not going to let them do it.

ริคกี้ เจอร์เวสพูดถึงชีวิต ความตาย และสถานการณ์บนโลกในการแสดงสุดพิเศษที่ตรงไปตรงมาแบบไม่มีกั๊ก กระทั่งความตายของตัวเอง

อลิซ วัย 38 ปี มีทุกสิ่งทุกอย่างที่จะเป็นบรรณาธิการบริหารคนต่อไปของนิตยสาร Rebelle ยกเว้นภาพลักษณ์ที่เคร่งขรึมของเธอ แต่เมื่อบัลทาซาร์ สาวน้อยผู้มีเสน่ห์วัยเพียง 20 ปี เข้ามาขวางทางของอลิซ เธอจึงรู้ว่าเขาคือกุญแจสำคัญในการเลื่อนตำแหน่งของเธอ

The maniacal baby of the Griffin family, Stewie, meets his future self. In doing this he discovers that his future image is not what he has anticipated because of a near death experience.

The setting is Camp Firewood, the year 1981. It's the last day before everyone goes back to the real world, but there's still a summer's worth of unfinished business to resolve. At the center of the action is camp director Beth, who struggles to keep order while she falls in love with the local astrophysics professor. He is busy trying to save the camp from a deadly piece of NASA's Skylab which is hurtling toward earth. All that, plus: a dangerous waterfall rescue, love triangles, misfits, cool kids, and talking vegetable cans. The questions will all be resolved, of course, at the big talent show at the end of the day.

ริคกี้ เจอร์เวส ปั่นกระแสดราม่าด้วยมุมมองที่มีต่อการระวังคำพูดคำจา และประเด็นที่อ่อนไหวเกินเหตุ ในผลงานสแตนด์อัพคอมเมดี้ฉีกขนบที่กล้าพูดถึงจุดจบของมนุษยชาตินี้

Gulley Jimson is a boorish aging artist recently released from prison. A swindler in search of his next art project, he hunkers down in the penthouse of would-be patrons the Beeders while they go on an extended vacation; he paints a mural on their wall, pawns their valuables and, along with the sculptor Abel, inadvertently smashes a large hole in their floor. Jimson's next project is an even larger wall in an abandoned church.

They are the best friends of the world. Five friends who shared everything: may 68, hippies years, the rock and their love for Bernadette. This Bernadette has left them to become a rock-star, and is back 15 years later for a weekend. Jean-Marie Poire describes with this movie the portrait of a generation with lots of humor served by excelent actors.

Following a booking error, two families who are complete opposites, as well as a somewhat snobbish publisher and the influencer he wants to publish, are forced to share a sublime vacation home. The culture clash is immediate, between incompatible habits and strong personalities. Yet, despite the tensions and misunderstandings, this forced vacation takes an unexpected turn and turns out to be an adventure full of surprises and laughter.