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L’en-Dedans

"This is a rarely seen cameraless film, made using the pinhole technique by applying light directly on the unexposed emulsion. Cote explores celluloid with color filters and different intensities of light as if expressing his most intimate and vital self. The flashes of luminosity seem to be signals of connection, maybe hope, inside one’s inner darkness." - Mónica Savirón, Museum of the Moving Image

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"This is a rarely seen cameraless film, made using the pinhole technique by applying light directly on the unexposed emulsion. Cote explores celluloid with color filters and different intensities of light as if expressing his most intimate and vital self. The flashes of luminosity seem to be signals of connection, maybe hope, inside one’s inner darkness." - Mónica Savirón, Museum of the Moving Image

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Side by Side

Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.

Side by Side

7.3 2012