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Cinemalgie

Long before Woody Allen, the author sends his character onto the screen, where he ends up in the hands of mystical surgeons, revealing himself to be a movieman undergoing an intricate spiritualist montage. It is not the intestines that emerge from his abdominal cavity, but skeins of film. For cinephiles of new generations, this is a truly encyclopedic sketch about the technology of cinematic nature. Double exposure reprises; silhouettes in the negative (meaning not a bad mood, but a film original); editing with barbaric scissors – the character on the screen loses half of the body; there are gastric wastes in the form of a silent movie film with a silent hero.

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Long before Woody Allen, the author sends his character onto the screen, where he ends up in the hands of mystical surgeons, revealing himself to be a movieman undergoing an intricate spiritualist montage. It is not the intestines that emerge from his abdominal cavity, but skeins of film. For cinephiles of new generations, this is a truly encyclopedic sketch about the technology of cinematic nature. Double exposure reprises; silhouettes in the negative (meaning not a bad mood, but a film original); editing with barbaric scissors – the character on the screen loses half of the body; there are gastric wastes in the form of a silent movie film with a silent hero.

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Night Will Fall

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

Night Will Fall

7.6 2014