On the occasion of the 400th anniversary of Molière’s birth on 15 January 2022, Ivo van Hove reunited with the Troupe for their third collaboration, a production of Le Tartuffe ou l’Hypocrite, the original version in three acts, banned at its premiere in 1664 and reconstructed thanks to the work of ‘theatrical genetics’ overseen by Georges Forestier and Isabelle Grellet.
Claude Mathieu
Mme Pernelle, mère d’Orgon
Denis Podalydès
Orgon, mari d’Elmire
Stéphane Varupenne
Cléante, beau- frère d’Orgon
Christophe Montenez
Tartuffe, faux dévot
Dominique Blanc
Dorine, suivante
Julien Frison
Damis, fils d’Orgon
Marina Hands
Elmire, femme d’Orgon
Sanda Bourenane
servante
Vincent Breton
servant
On the occasion of the 400th anniversary of Molière’s birth on 15 January 2022, Ivo van Hove reunited with the Troupe for their third collaboration, a production of Le Tartuffe ou l’Hypocrite, the original version in three acts, banned at its premiere in 1664 and reconstructed thanks to the work of ‘theatrical genetics’ overseen by Georges Forestier and Isabelle Grellet.
ปลายทศวรรษ 1980 สเตลลา วิกตอร์ อเดล และเอเตียน วัย 20 ปี พวกเขาสอบเข้าโรงเรียนการแสดงที่มีชื่อเสียงซึ่งสร้างโดย ปาทริส เชโร และ ปีแยร์ โรม็อง ที่โรงละครอัลมอนด์ในน็องแตร์ พวกเขาเข้าสู่ชีวิตแห่งความหลงใหลและความรักอย่างรวดเร็ว พวกเขากำลังจะพบกับจุดเปลี่ยนของชีวิตและโศกนาฏกรรมครั้งแรก
Paris, France, December 1897. The young playwright Edmond Rostand feels like a failure. Inspiration has abandoned him. Married and father of two children, desperate and penniless, he persuades the great actor Constant Coquelin to perform the main role in his new play. But there is a problem: Coquelin wants to premiere it at Christmas and Edmond has not written a single word.
Serge Tanneur is at the pinnacle of his acting career when he decides to turn his back on show business and become a hermit living off of France’s Atlantic coast. Three years later, Gauthier Valence, a beloved TV actor, shows up on the island to offer Serge a role in his directorial debut – a rendition of Molière’s classic play, “The Misanthrope”. Serge refuses at first, but then suggests that they rehearse the first scene and after five days he’ll decide if he wants to dothe play or not. What ensues is a battle of brawn and wits and peculiar encounters with a hotel maid who longs to be a pornstar and an Italian divorcée.
A struggling female soprano finds work playing a male female impersonator, but it complicates her personal life.
A bored young man meets with his former girlfriend, now a cabaret dancer and single mother, and soon finds himself falling back in love with her.
In occupied Paris, an actress wed to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.
Lucien de Rubempré, a young, lower-class poet, leaves his family's printing house for Paris. Soon, he learns the dark side of the arts business as he tries to stay true to his dreams.
Recently widowed well-to-do Laura Henderson purchases the Windmill Theatre in London as a post-widowhood hobby. After starting an innovative continuous variety review, which is copied by other theaters, they begin to lose money. Mrs Henderson suggests they add risqué burlesque acts similar to the Moulin Rouge in Paris.
Fleeing 1930s New York and leaving behind a chequered past, the giltzy divorcee Mrs Stella Erlynne travels to Italy's sun-dappled Amalfi coast. Mrs Erlynne's appearance causes a stir amongst the visiting aristocracy. Based on the Oscar Wilde play "Lady Windemere's Fan."
ไบรอัน โรเบิร์ตส มากรุงเบอร์ลินเพื่อหาข้อมูลศึกษาสำหรับปริญญาเอก แต่ในขณะเดียวกันคาบาเร่ต์ก็ได้เริ่มทำการแสดงโดย แซลลี่ โบว์ลส และพิธีกรของคาบาเร่ต์ ในยุคของนาซีที่ครอบงำอยู่เรื่อยๆ