Pour 939 Backdrop Blur
Pour 939 Poster

Pour 939

A lineup of glasses joyfully share ideas, growing in scale after each exchange. But the jubilant cycle is halted by a stubborn jar whose head is already filled. Director’s notes: "Pour 939" is an animated cartoon that was initially drawn as an exercise in visualizing the close minded, and their role in halting a fulfilling exchange of ideas. This simple metaphor was never supposed to be a stand alone film, but the more time I spent drawing it, the more I thought it could hold it's own water (or wine). Interestingly, this short film has no real story, it's simply an illustration of an idea: The moment when people who freely share thoughts are confronted with a person who is closed up. I chose the number 939 because it felt very stubborn and limited to me.

นักแสดงนำ

เรื่องย่อ

A lineup of glasses joyfully share ideas, growing in scale after each exchange. But the jubilant cycle is halted by a stubborn jar whose head is already filled. Director’s notes: "Pour 939" is an animated cartoon that was initially drawn as an exercise in visualizing the close minded, and their role in halting a fulfilling exchange of ideas. This simple metaphor was never supposed to be a stand alone film, but the more time I spent drawing it, the more I thought it could hold it's own water (or wine). Interestingly, this short film has no real story, it's simply an illustration of an idea: The moment when people who freely share thoughts are confronted with a person who is closed up. I chose the number 939 because it felt very stubborn and limited to me.

คะแนน

4.0 / 10
1 รีวิว
1 ยอดนิยม

ภาพยนตร์แนะนำ

The Cabinet of Jan Švankmajer

In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.

The Cabinet of Jan Švankmajer

6.9 1984
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A white dropout struggles to become a cartoonist and filmmaker, drawing inspiration from the harsh, gritty world around him. Still sharing his rundown apartment with his middle-aged parents, an oafish slob of an Italian father and a ditzy nutcase of a Jewish mother, he's ridiculed and looked down upon by his friends, hypocrites who run with violent gangs and the Italian Mafia, and a shallow Black girl who makes her living downtown with the pimps and pushers. The cartoonist gets a chance to pitch a film idea to a movie mogul, but the story proves too outrageous: a far-future Earth, depleted by war and pollution, where a mutant antihero challenges and kills God.

Heavy Traffic

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