Blues in Schwarz Weiß – vier schwarze deutsche Leben

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

เรื่องราวที่แท้จริงของโค้ชทีมโต้วาทีผู้ชาญฉลาดแต่มีแนวคิดทางการเมืองสุดโต่ง ซึ่งใช้พลังของคำพูดเพื่อเปลี่ยนกลุ่มนักเรียนแอฟริกัน-อเมริกันที่ด้อยโอกาสให้กลายเป็นทีมที่ทรงพลังในประวัติศาสตร์ที่สามารถต่อกรกับเหล่าคนชั้นสูงจากมหาวิทยาลัยฮาร์วาร์ดได้

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.

Using the book 'Fragments', which collects Marilyn Monroe's poems, notes and letters, and with participation from the Arthur Miller and Truman Capote estates who have contributed more material, each of the actresses will embody the legend at various stages in her life.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

This unique cinematic experience dives deep into an artist’s work and reveals his life path, inspiration, and creative process. It explores his fascination with myth and history. Past and present are interwoven to diffuse the line between film and painting, allowing the audience to be completely immersed in the remarkable world of one of the greatest contemporary artists, Anselm Kiefer. Wim Wenders shot this unique portrait over the course of two years in stunning 3D.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.