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In October 1949, when socialist realism was imposed on Polish artists, a presentation of the achievements of art schools took place in Poznań. The report of the event called ‘shows’ was made by students of the Film School in Łódź.
In October 1949, when socialist realism was imposed on Polish artists, a presentation of the achievements of art schools took place in Poznań. The report of the event called ‘shows’ was made by students of the Film School in Łódź.
In October 1949, when socialist realism was imposed on Polish artists, a presentation of the achievements of art schools took place in Poznań. The report of the event called ‘shows’ was made by students of the Film School in Łódź.
The story of the gold-plated statuette that became the film industry's most coveted prize, AND THE OSCAR GOES TO... traces the history of the Academy itself, which began in 1927 when Louis B. Mayer, then head of MGM, led other prominent members of the industry in forming this professional honorary organization. Two years later the Academy began bestowing awards, which were nicknamed "Oscar," and quickly came to represent the pinnacle of cinematic achievement.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
สารคดีที่เล่าเรื่องราวของเบื้องหลังความเป็นมาของนักเตะดาวดังที่ประสบความสำเร็จมากที่สุดของรุ่น ในยุคที่ฟุตบอลอังกฤษถือเป็นจุดสูงสุด โดยเฉพาะเด็กหนุ่มยอดนักเตะดาวรุ่งพุ่งแรง 6 คนจากชนชั้นกลางที่ได้เข้ามาอยู่ร่วมทีมกันในสโมสร แมนเชสเตอร์ ยูไนเต็ด อันได้แก่ เดวิด เบ็คแฮม, นิคกี้ บัตต์, ไรอัน กิกส์, แกรี่ เนวิลล์, ฟิล เนวิลล์ และ พอล สโคลส์
Ross McElwee sets out to make a documentary about the lingering effects of General Sherman's march of destruction through the South during the Civil War, but is continually sidetracked by women who come and go in his life, his recurring dreams of nuclear holocaust, and Burt Reynolds.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
Performance artist Marina Abramovic prepares for a major retrospective of her work at the Museum of Modern Art in New York.
Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
A documentary about the life and films of director John Ford.