Documento #2

ภาพยนตร์คอมเมดี้โรแมนติกอบอุ่นหัวใจเรื่องราวเกี่ยวกับพ่อที่กลับมายังทัสคานีอันรุ่งโรจน์พร้อมกับลูกชายที่เหินห่างของเขาเพื่อซ่อมแซมบ้านเก่าของครอบครัว ตลอดจนความสัมพันธ์ของพวกเขาที่กำลังเริ่มซ่อมแซมที่แตกต่างไปจากเดิมอย่างสิ้นเชิงและทำให้ทั้งคู่ประหลาดใจ

An army cadet accompanies an irascible, blind captain on a week-long trip from Turin to Naples.

A story centered on a transitional point in the life of Ave Maria Mulligan, the heart of her community in the Appalachian Mountains of Virginia.

Irene, nicknamed 'Miele', has devote herself to people looking for help, and tries to alleviate their suffering even when they make extreme decisions. One day she has to cope with Grimaldi and his invisible malaise.

In a Naples suspended between magic and superstition, madness and rationality, a mystery envelops the existence of Adriana, overwhelmed by a sudden love and a violent crime.

A young Roman woman during the 1950s is on the verge of becoming engaged to a man. She goes to Cinecittà to do an audition as an extra and is thrust into this almost infinite night during which she discovers herself.

In the first Italian film to be shot in color, Totò portrays a musician named Antonio Scannagatti who strongly hopes to sell his composition, "Epopea italiana", to Tiscordi, who is one of the most important Italian impresarios.

A Ukrainian woman named Irena calculatedly insinuates herself into the lives of a young, affluent Italian family. Stopping at nothing to become the couple's trusted maid and the beloved nanny to their fragile young daughter, Irena risks everything in her quest to uncover the truth about the family.

Roberto is a doctor in a small town near Naples. He suffers from a severe heart disease and he is heading toward an American hospital for a dangerous surgery with little or no hope of surviving. Therefore he talks to his best friend since childhood, Michele, a columnist at the local newspaper, explaining his last and long-wanted desire: having sex once with his Swedish beautiful wife, Frida.

Margherita, a director in the middle of an existential crisis, has to deal with the inevitable and still unacceptable loss of her mother.